Mr. Paradise: A Novel

Roommates Kelly and Chloe are enjoying their lives and their downtown Detroit loft just fine. Kelly is a Victoria's Secret catalog model. Chloe is an escort, until she decides to ditch her varied clientele in favor of a steady gig as girlfriend to eighty-four-year-old retired lawyer Tony Paradiso, a.k.a. Mr. Paradise.

Evenings at Mr. Paradise's house, there's always an old Michigan football game on TV. And when Chloe's around, there's a cheerleader, too, complete with pleated skirt and blue-and-gold pompoms. One night Chloe convinces Kelly to join in the fun, along with Montez Taylor, Tony's smooth-talking right-hand man.

But things go awry and before the end of the evening there will be two corpses, two angry hit men, one switch of identity, a safe-deposit box full of loot up for grabs, and, fast on the scene, detective Frank Delsa, who now has a double homicide -- and a beautiful, willful witness -- to add to his already heavy caseload.

With a cool cast, snappy dialogue, and all the twists and turns fans crave, Mr. Paradise is Elmore Leonard at home in Detroit and sharper than ever.

Elmore Leonard, who's made his career writing about not-too-bright bad guys, fills Mr. Paradise with several memorable specimens of that breed. In addition to Montez, who'd resented his politically incorrect boss for cutting him out of his will, there's also a bottom-feeding defense attorney, Avern Cohn, who runs a murder-for-hire operation on the side, and his well-armed employees of the month, "tough monkeys" Carl Fontana and Arthur Krupa. Less credibly and entertainingly crafted is Frank Delsa, the widowed homicide detective whose hunt for Paradiso's killers is complicated by his attraction to the curvilinear Kelly. This romantic subplot is overly predictable and deflates early expectations that the cunning young model is playing some deeper game here, working an angle that neither Delsa nor Montez anticipates.

After penning a string of character-propelled novels set in Florida (including Glitz, Out of Sight, and the particularly winning La Brava), it's good to see Leonard exploiting the Detroit backdrop again, as he did so expertly in a few of his earlier successes (City Primeval and Killshot, for instance). Yet while Mr. Paradise is rich with comic dialogue and cop-shop color, it never goes beyond the expectations of a Leonard work. This author is too good not to take more chances. --J. Kingston Pierce