| Labyrinths (New Directions Paperbook) |  | Author: Jorge Luis Borges Creators: Donald A. Yates, James E. Irby, William Gibson, André Maurois Publisher: New Directions Category: Book
List Price: $15.95 Buy New: $8.62 as of 5/23/2012 09:01 MDT details You Save: $7.33 (46%)
New (61) Used (55) from $6.30
Seller: internationalbooks Sales Rank: 9,253
Languages: English (Unknown), English (Original Language), English (Published) Media: Paperback Pages: 240 Number Of Items: 1 Shipping Weight (lbs): 0.6 Dimensions (in): 8 x 5.3 x 0.8
ISBN: 0811216993 EAN: 9780811216999 ASIN: 0811216993
Publication Date: May 17, 2007 Availability: Usually ships in 1-2 business days
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Product Description
The classic by Latin America's finest writer of the twentieth century—a true literary sensation—with an introduction by cyber-author William Gibson. The groundbreaking trans-genre work of Argentinian writer Jorge Luis Borges (1899-1986) has been insinuating itself into the structure, stance, and very breath of world literature for well over half a century. Multi-layered, self-referential, elusive, and allusive writing is now frequently labeled Borgesian. Umberto Eco's international bestseller, The Name of the Rose, is, on one level, an elaborate improvisation on Borges' fiction "The Library," which American readers first encountered in the original 1962 New Directions publication of Labyrinths. This new edition of Labyrinths, the classic representative selection of Borges' writing edited by Donald A. Yates and James E. Irby (in translations by themselves and others), includes the text of the original edition (as augmented in 1964) as well as Irby's biographical and critical essay, a poignant tribute by André Maurois, and a chronology of the author's life. Borges enthusiast William Gibson has contributed a new introduction bringing Borges' influence and importance into the twenty-first century.
Amazon.com Review If Jorge Luis Borges had been a computer scientist, he probably would have invented hypertext and the World Wide Web. Instead, being a librarian and one of the world's most widely read people, he became the leading practitioner of a densely layered imaginistic writing style that has been imitated throughout this century, but has no peer (although Umberto Eco sometimes comes close, especially in Name of the Rose). Borges's stories are redolent with an intelligence, wealth of invention, and a tight, almost mathematically formal style that challenge with mysteries and paradoxes revealed only slowly after several readings. Highly recommended to anyone who wants their imagination and intellect to be aswarm with philosophical plots, compelling conundrums, and a wealth of real and imagined literary references derived from an infinitely imaginary library.
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