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The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny (Ideologies of Desire)

The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny (Ideologies of Desire)
Author: Terry Castle
Publisher: Oxford University Press, USA
Category: Book

List Price: $53.00
Buy New: $15.90
You Save: $37.10 (70%)



New (14) Used (15) from $8.95

Sales Rank: 827036

Media: Paperback
Number Of Items: 1
Pages: 288
Shipping Weight (lbs): 1.1
Dimensions (in): 9.1 x 6.1 x 0.9

ISBN: 019508098X
Dewey Decimal Number: 820.937
EAN: 9780195080988
ASIN: 019508098X

Publication Date: May 4, 1995
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Thankyou for looking at Bookscorner1.Satisfaction guaranteed.MAY HAVE A REMAINDER MARK only.

Also Available In:

  • Hardcover - The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny (Ideologies of Desire)

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  • QUEER GOTHIC
  • The Recess (Eighteenth-Century Novels by Women)

Editorial Reviews:

Product Description
The work of leading scholar Terry Castle, called by the New York Times "always engaging...consistently fascinating," has helped to revolutionize eighteenth-century studies. The Female Thermometer brings together Castle's essays on the phantasmagoric side of eighteenth-century literature and culture. Taking as her emblem the fanciful "female thermometer," an imaginary instrument invented by eighteenth-century satirists to measure levels of female sexual arousal, Castle explores what she calls the "impinging strangeness" of the eighteenth-century imagination--the ways in which the rationalist imperatives of the age paradoxically worked to produce what Freud would later call the uncanny. In essays on doubling and fantasy in the novels of Defoe and Richardson, sexual impersonators and the dream-like world of the eighteenth-century masquerade, magic-lantern shows, automata, and other surreal inventions of Enlightenment science, and the hallucinatory obsessions of Gothic fiction, Castle offers a haunting portrait of a remarkable epoch. Her collection explores the links between material culture, gender, and the rise of modern forms and formulas of subjectivity, effectively rewriting the cultural history of modern Europe from a materialist and feminist perspective.

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