A Smile on the Face of the Tiger (The Amos Walker Series #15)

When a New York publisher asks Walker to track down author Eugene Booth, who's refusing to allow his classic Paradise Valley to be reissued, Walker's first instinct is to say no. But Booth's novel, about a Detroit race riot in 1943, fascinates Walker, especially after he finds Booth's dictation tapes. Booth has "a low fuzzy bass that might once have been rich and pleasant before too much whiskey, too many cigarettes, and three or more trips too many around a rundown block had hammered it into that dull monotone you hear at last call and over the loudspeaker in the eleventh inning of a pitchers' duel." Walker discovers that it's not just whiskey and cigarettes that have affected the author. His wife was murdered 50 years ago to prevent Booth from spilling the truth about the events he fictionalized.

Walker traces Booth to a rundown motel on the shores of Lake Huron. His presence there is no surprise, given his fondness for solitude and fish. But why is mobster Glad Eddie Cypress, who should be gearing up for a big book tour, holed up at the same motel? When Walker finds Booth swinging from the rafters, he decides to find out. When the number of people who wanted Booth dead starts multiplying, and a 50-year-old race riot and murder move back into the spotlight, Walker is hard-pressed to keep himself from becoming history.

Estleman's sardonic prose (the Detroit River is "the only spot on the North American continent where you could look across at a foreign country without seeing either wilderness or tattoo parlors") makes A Smile on the Face of the Tiger move energetically along. This noir veteran, never content to rest on his laurels, has produced another gritty winner. --Kelly Flynn

Product Description
Louise Starr, a beautiful and scheming ghost from Amos Walkers past; wants the Detroit private eye to find a missing paperback writer from the 1950s and ask him why he turned down his first book contract in 40 years. Eugene Booths trail leads to a rustic motel cabin, where the crusty old pro is hammering out his first novel in decades on a battered Smith-Corona. But when the writer winds up hanging from his own belt, Walker must discover the connection between the apparent suicide, the murder of Booths wife 40 years beforeand a deadly secret as old as World War II.

Download Description
The three Shamus Awards Estleman has won for his Amos Walker mysteries (The Hours of the Virgin, etc.) testify to his reputation as the torchbearer of the classic PI yarn. In his 14th novel about the tough-minded Detroit gumshoe, Estleman pays explicit tribute to his artistic ancestors, dedicating the book to "Hamilton, Prather, McCoy, and Spillane" and others, and centering its complicated, absorbing plot around the fates of a classic paperback writer and the bombshell blonde who posed for his books' lurid covers. Walker is hired by sleek Louise Starr, owner of a nascent New York publishing house, to find Eugene Booth, author of such titles as Tough Town and Bullets Are My Business. Booth has called it quits on a contract to reprint his best-known novel, Paradise Valley, set within the horrific Detroit race riot of June 1943; Starr wants to know why. Walker locates Booth, a broken old drunk tapping at a manual typewriter, at a fishing lodge north of Motor City. They drink and they talk--about the murder of Booth's wife way back when and about what really went down at the riot; hours later, Walker finds Booth hanged in his cabin. Suicide? Then how to explain the "heeled" guy in an adjacent cabin, who Walker soon learns is hit man-turned-bestselling author Glad Eddie Cypress? Fleta Skirrett, former paperback jacket honey, now waiting to die in an old folks' home, offers some clues, and so does the son of the painter of Booth's covers, who lives surrounded by plastic-wrapped paperbacks. A good, involving mystery featuring strong characters and prose as smooth as the brim of a fedora, this novel makes smart points about writing, publishing and the cult of mysteries. Anyone who appreciates the difference between a gat and a gun, a gam and a leg, is going to wolf it down. (Aug.) Copyright 2000 Cahners Business Information.

I listened to the unabridged audiocassette read by John Kenneth, and especially recommend this way of enjoying the book. The telephonic versions of voices are particularly well done, and add a lot to the realism of the story.

Louise Starr, the sexually provocative book editor from Amos's past, has started up her own title. Pulp fiction author Eugene Booth has inexplicably cancelled his contract to reprint one of his paperbacks from the 1950s, Paradise Valley. Starr hires Amos to find Booth and learn why Booth has declined. She hopes to persuade Booth to change his mind. Relying on clues from Booth's novels and leads from his last address, a trailer park near the airport, Amos soon locates Booth through his acquaintances. That shifts the scene to northern Michigan where Booth and Amos become whiskey buddies . . . until tragedy intervenes. What does it have to do with a race riot in the 1940s, a 50-plus year-old murder, and a contract killer?

It's hard to know what to praise the most in this book: the pulp references; the remarkable descriptions; the tough guy dialogue; the action; or the subtle misdirections in the plot. Each aspect is very fine. Seldom does an author totally stump me on motive, but Mr. Estleman easily ran circles around me. I enjoyed the suspense of his unraveling of the tangled skein of clues.

As I finished this book, I realized that it is very easy to delude oneself about what is going on. Facing unpleasant truths is a critical element in improving your situation. It's a worthwhile lesson from a very enjoyable book.