I Thought We Were Making Movies, Not History (Wisconsin Film Studies) | 
| Author: Walter Mirisch Publisher: University of Wisconsin Press Category: Book
List Price: $29.95 Buy New: $14.44 You Save: $15.51 (52%)
New (21) Used (4) Collectible (2) from $14.40
Avg. Customer Rating: 1 reviews Sales Rank: 105299
Media: Hardcover Edition: 1 Number Of Items: 1 Pages: 468 Shipping Weight (lbs): 1.8 Dimensions (in): 9 x 6.4 x 1.5
ISBN: 0299226409 Dewey Decimal Number: 791.430233092 EAN: 9780299226404 ASIN: 0299226409
Publication Date: February 27, 2008 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Condition: Brand New Book, Fast Shipping
|
| Similar Items:
|
| Editorial Reviews:
Product Description
This is a moving, star-filled account of one of Hollywood’s true golden ages as told by a man in the middle of it all. Walter Mirisch’s company has produced some of the most entertaining and enduring classics in film history, including West Side Story, Some Like It Hot, In the Heat of the Night, and The Magnificent Seven. His work has led to 87 Academy Award nominations and 28 Oscars. Richly illustrated with rare photographs from his personal collection, I Thought We Were Making Movies, Not History reveals Mirisch’s own experience of Hollywood and tells the stories of the stars?emerging and established?who appeared in his films, including Natlie Wood, John Wayne, Peter Sellers, Sidney Poitier, Steve McQueen, Marilyn Monroe, and many others. With hard-won insight and gentle humor, Mirisch recounts how he witnessed the end of the studio system, the development of independent production, and the rise and fall of some of Hollywood’s most gifted (and notorious) cultural icons. A producer with a passion for creative excellence, he offers insights into his innovative filmmaking process, revealing a rare ingenuity for placating the demands of auteur directors, weak-kneed studio executives, and troubled screen sirens. From his early start as a movie theater usher to the presentation of such masterpieces as The Apartment, Fiddler on the Roof, and The Great Escape, Mirisch tells the inspiring life story of his climb to the highest echelon of the American film industry. This book assures Mirisch’s legacy?as Elmore Leonard puts it?as “one of the good guys.”
|
| Customer Reviews:
HOLLYWOOD'S *REEL* PRODUCER! April 6, 2008 3 out of 3 found this review helpful
Walter Mirisch may not be a household name to most of you, but it should be if you love movies like THE MAGNIFICENT SEVEN, WEST SIDE STORY, THE GREAT ESCAPE, IN THE HEAT OF THE NIGHT, THE THOMAS CROWN AFFAIR, MIDWAY and numerous other classics of 1960's & 70's cinema. Along with his brothers Harold and Marvin, the Mirisch Company was the most prolific producer of hit iconic movies in Hollywood history. Over 100 films, 67 of which were for United Artists alone. They were the definitive independent production company and Walter Mirisch was the definitive independent Hollywood producer.
For anyone vaguely interested in Hollywood history, this is a must-read. From "behind-the-scenes" trivia to the everyday struggles of getting so many great pictures to the screen, Walter gives us a rare and honest insight into working with such iconic talents as Billy Wilder, John Sturges, Norman Jewison, Steve McQueen, Sidney Poitier and so many others. The Mirisch Company thrived in the vacuum left by the declining Hollywood studio system. They were a streamlined, highly efficent, low overhead operation that attracted the biggest directors and stars. From humble poverty-row beginnings at Monogram with "Bomba The Jungle Boy", Walter Mirisch like his brothers learned everything there was to know about the movie business. Unlike today's Hollywood, where it's all about the deal and the bottom line. The Mirisch brothers were the very model of dignity and style. They cared about the quality and it earned them three oscars for best pictures alone. Walter won two honorary Academy Awards, he was a distinguished head of the Academy as well. Always the Hollywood statesman and champion, he has well earned the respect of the industry he has served so well. The next time whether on TV or DVD, you see the Mirisch name during the opening credits of any of his great movies. This book will be like having the man himself sitting right there beside you, answering all those questions as only he can!
As a historian, I wish this book was the first of many from a man I very much admire. But at 87, Walter Mirisch can be forgiven for not having to write a full volume set. What he does write is precious though and sadly to borrow an old Hollywood cliche line -"we shall not see his like again".
|
|
|