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Plays by Early American Women, 1775-1850

Plays by Early American Women, 1775-1850
Creator: Amelia Howe Kritzer
Publisher: University of Michigan Press
Category: Book

List Price: $29.95
Buy Used: $10.56
You Save: $19.39 (65%)



New (6) Used (11) from $10.56

Avg. Customer Rating: 3.0 out of 5 stars 1 reviews
Sales Rank: 1279277

Media: Paperback
Number Of Items: 1
Pages: 448
Shipping Weight (lbs): 1.4
Dimensions (in): 8.9 x 6 x 1.2

ISBN: 047206598X
Dewey Decimal Number: 812.20809287
EAN: 9780472065981
ASIN: 047206598X

Publication Date: June 15, 1995
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Standard used condition.

Also Available In:

  • Hardcover - Plays by Early American Women, 1775-1850

Similar Items:

  • Plays by American Women: 1900-1930
  • Plays by American Women: 1930-1960 (Applause Books for Young Readers)
  • Early American Drama (Penguin Classics)
  • The Rise of Public Woman: Woman's Power and Woman's Place in the United States, 1630-1970
  • The Power of Sympathy and The Coquette (Penguin Classics)

Editorial Reviews:

Product Description
Plays by Early American Women: 1775-1850 provides a comprehensive view of American women's engagement with drama. Standard histories and anthologies of American theater and drama have paid scant attention to women although they actively participated in the formation of a distinctively American drama and were vital in the production of that drama before the twentieth century. The plays in this collection- The Group (1775) by Mercy Otis Warren, Slaves in Algiers (1794) by Susanna Haswell Rowson, The Traveller Returned (1796) by Judith Sargent Murray, The Female Enthusiast (1807) by Sarah Pogson, The Fair Americans (1815) by Mary Carr Clarke, Altorf (1819) by Frances Wright, Ernest Maltravers (1838) by Louisa Medina, and The Forest Princess (1844) by Charlotte Barnes Conner- amply demonstrate the range, strength, popularity, and importance of women's dramatic writing during that period.
Running the gamut of subject and style these plays, several of them exceptionally stageworthy, indicate the ways in which early American women defined themselves and serve to highlight common patterns in their experience of day-to-day life. At the same time, they construct ideal images of the American woman that were often explicitly held up for emulation by playwrights who evinced a lively concern with defining what it meant to be American.
The book includes an introduction that discusses historical context and presents a short biography of each playwright and bibliography of American women playwrights to 1900, with over a thousand entries. This anthology is thus a valuable resource for historians, researchers, and students of American literature, American drama, and women's studies.
"The selection of works is excellent. I can't imagine teaching a nineteenth-century American theater history course without it. With this book, such courses can set female dramatists side-by-side with novelists, essayists, and poets."--Rosemarie K. Bank, Kent State University
Amelia Howe Kritzer is Assistant Professor of Theater, West Virginia University. She is author of The Plays of Caryl Churchill: Theatre of Empowerment (Macmillan).



Customer Reviews:

3 out of 5 stars Applause! Applause!   December 7, 2007
This anthology is a very good compilation of plays written by women before radial feminism took hold. A must-read for the intellectually curious.

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