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Seeing the Unspeakable: The Art of Kara Walker | 
| Author: Gwendolyn Dubois Shaw
Publisher: Duke University Press
Category: Book
List Price: $21.95
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Avg. Customer Rating:  1 reviews
Sales Rank: 223321
Media: Paperback
Number Of Items: 1
Pages: 195
Shipping Weight (lbs): 0.7
Dimensions (in): 9.2 x 6.1 x 0.6
ISBN: 0822333961
Dewey Decimal Number: 709.2
EAN: 9780822333968
ASIN: 0822333961
Publication Date: November 2004
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Shipping: International shipping available
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Product Description
One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker.
Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.
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| Customer Reviews:
Heady without visual stimulation May 24, 2008
2 out of 2 found this review helpful
This book is quite verbose, and I'm not convinced it truly reflects the artist's ideas. I had hoped for more photos of the artist's work; there are very few. I would recommend looking into one of the books written by the artist instead.
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