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The Abyss of Freedom/Ages of the World (The Body, In Theory: Histories of Cultural Materialism)

Authors: Slavoj Zizek, F.w.j. Von Schelling
Creator: Judith Norman
Publisher: University of Michigan Press
Category: Book

Buy New: $60.00



New (3) Used (4) from $59.99

Avg. Customer Rating: 3.0 out of 5 stars 1 reviews
Sales Rank: 1708696

Media: Hardcover
Number Of Items: 1
Pages: 192
Shipping Weight (lbs): 0.9
Dimensions (in): 9.1 x 5.4 x 0.8

ISBN: 0472096524
Dewey Decimal Number: 111
EAN: 9780472096527
ASIN: 0472096524

Publication Date: August 1, 1997
Availability: Usually ships in 10 to 13 days

Editorial Reviews:

Product Description
In the last decade, F. W. J. von Schelling has emerged as one of the key philosophers of German Idealism, the one who, for the first time, undermined Kant's philosophical revolution and in so doing opened up the way for a viable critique of Hegel. In noted philosopher Slavoj Zizek's view, the main orientations of the post-Hegelian thought, from Kierkegaard and Marx, to Heidegger and today's deconstructionism, were prefigured in Schelling's analysis of Hegel's idealism, and in his affirmation that the contingency of existence cannot be reduced to notional self-mediation. In The Abyss of Freedom, Zizek attempts to advance Schelling's stature even further, with a commentary of the second draft of Schelling's work The Ages of the World, written in 1813.
Zizek argues that Schelling's most profound thoughts are found in the series of three consecutive attempts he made to formulate the "ages of the world/Weltalter," the stages of the self-development of the Absolute. Of the three versions, claims Zizek, it is the second that is the most eloquent and definitive encompassing of Schelling's lyrical thought. It centers on the problem of how the Absolute (God) himself, in order to become actual, to exist effectively, has to accomplish a radically contingent move of acquiring material, bodily existence. Never before available in English, this version finally renders accessible one of the key texts of modern philosophy, a text that is widely debated in philosophical circles today.
The Abyss of Freedom is Zizek's own reading of Schelling based upon Lacanian psychoanalytic theory. It focuses on the notion that Lacan's theory--which claims that the symbolic universe emerged from presymbolic drives--is prefigured in Schelling's idea of logos as given birth to from the vortex of primordial drives, or from what "in God is not yet God." For Zizek, this connection is monumental, showing that Schelling's ideas forcefully presage the post-modern "deconstruction" of logocentrism.
Slavoj Zizek is not a philosopher who stoops to conquer objects but a radical voice who believes that philosophy is nothing if it is not embodied, nothing if it is only abstract. For him, true philosophy always speaks of something rather than nothing. Those interested in the genesis of contemporary thought and the fate of reason in our "age of anxiety" will find this coupling of texts not only philosophically relevant, but vitally important.
Slavoj Zizek is the author of The Sublime Object of Ideology, Tarrying with the Negative: Kant, Hegel and the Critique of Ideology, and most recently, The Indivisible Remainder: An Essay on Schelling and Related Matters. Currently he is a Senior Researcher at the Institute for Social Sciences, University of Ljubljana. Judith Norman is Assistant Professor of Philosophy at Trinity University in San Antonio, Texas.



Customer Reviews:

3 out of 5 stars A compelling and confusing abyss   November 13, 2000
 3 out of 5 found this review helpful

This book is an odd creature to say the least. A great but under-appreciated text of German idealism is re-published in a new translation, along with an interpretive essay that evaluates it from the standpoint of Lacanian psychoanalysis. Personally, I found Schelling's portrait of the world as moving continuously towards full consciousness of itself to be utterly fascinating. I'm still not sure what to make of Zizek's essay - I have always been utterly baffled by Lacan - but if you're into that kind of thing, you might enjoy it.

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