|
Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing | 
| Authors: Patrick Holland, Graham Huggan
Publisher: University of Michigan Press
Category: Book
List Price: $21.95
Buy New: $20.00
You Save: $1.95 (9%)
New (10) Used (8) from $15.50
Avg. Customer Rating:  2 reviews
Sales Rank: 174715
Media: Paperback
Number Of Items: 1
Pages: 280
Shipping Weight (lbs): 1
Dimensions (in): 8.9 x 6 x 0.9
ISBN: 0472087061
Dewey Decimal Number: 306
EAN: 9780472087068
ASIN: 0472087061
Publication Date: November 7, 2000
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: U. of Mich. 2000. Stated 1st Trade Paperback Ed. I wrote a book years ago about how to make your life work and about finding your "dream" profession. One of my friends always went to France each year for the Tour du France and loved to write. I told her that what we are best at is usually right in front of our faces. She realized that while being Greek by birth, she could travel around the world and write about the places she goes to. That's what the book is about and it even includes a chapter on gender which is extremely important for women traveling to the Mideast. All university presses publish for the academic value rather than financial, so this is a sophisticated book which will be impossible to find in a few more years since school presses do small runs. C7
|
| Editorial Reviews:
Product Description
The first extensive survey of contemporary travel writing, Tourists with Typewriters offers a series of challenging and provocative critical insights into a wide range of travel narratives written in English after the Second World War. The book focuses in particular on contemporary travel writers such as Jan Morris, Peter Matthiessen, V. S. Naipaul, Barry Lopez, Mary Morris, Paul Theroux, Peter Mayle, and the late Bruce Chatwin. It examines some of the reasons for travel writing's enduring popularity, and for its particular appeal to readers--many of them also travelers--in the present.
The book maps new terrain in a growing area of critical study. Although critical of travel writing's complacency and its often unacknowledged ethnocentrism, the book recognizes its importance as both a literary and cultural form. While travel writing at its worst emerges as a crude expression of economic advantage, at its best it becomes a subtle instrument of cultural self-perception, a barometer for changing views of "other" (i.e., foreign, non-Western) cultures, and a trigger for the information circuits that tap us into the wider world.
Tourists with Typewriters gauges both the best and worst in contemporary travel writing, capturing the excitement of this most volatile--and at times infuriating--of literary genres. The book will appeal to general readers interested in a closer examination of travel writing and to academic readers in disciplines such as literary/cultural studies, geography, history, anthropology, and tourism studies.
"An eminently readable and informative study. It breathes tolerance and intelligence. It is critically perceptive and very au courant. It raises issues (coloniality, postmodernity, gender. . . ) and discusses books that readers of many different stripes will want to find out about." --Ross Chambers, University of Michigan
Patrick Holland, Associate Professor of English, University of Guelph, was born in New Zealand and educated in England, Australia, and Canada. Graham Huggan, Professor of English, University of Munich, was born in Hong Kong and educated in England and in British Columbia.
|
| Customer Reviews:
 Tourists with Typewriters November 19, 2007
1 out of 1 found this review helpful
Travel "literature" traditionally has not been taken very seriously in academia, and so the authors (Professors at Harvard) have undertaken a scholarly examination of some popular post-WWII authors and works, while trying, they say, not to be polemical. To give a sense of what kind of book this is, here are two illustrative quotes: "Travel has recently emerged as a crucial epistemological category for the displacement of normative values and homogenizing, essentialist views." If your eyes have not glazed over yet, try this one:
[Quote]"At first blush, it certainly seems there ought to be an affinity between travel writing and postmodernism; for among its many, not infrequently contradictory features, postmodern theory foregrounds the instability of the human subject, shifting ontologies of space and place, and the undermining of linear history, which characteristically assumes a fractured or palimpsestic structure."[End Quote]
This is the kind of writing that gives scholarly books a bad reputation, at least among general readers without a degree in literature. Yet for the intrepid adventurer willing to put in the work, there is gold to be found within. The book is structured into four main chapters, along with a meaty Prologue, Introduction and Postscript that summarize and expand on the core ideas.
Chapter 1 deals with colonial myths still lurking in modern travel literature, and the post-colonial "countertravel" writers who are not white, middle-class western males. A number of examples are examined including the "anti-racist" works of Caryl Phillip's The European Tribe and Jamaica Kincaid's A Small Place. The "resistance" work of Salman Rushdie's The Jaguar Smile. The "counter-Orientalist" narratives such as by Amitav Ghosh's In an Antique Land and Vikram Seth's From Heaven Lake: Travels Through Sinkiang and Tibet. And "anti-Imperialist" works such as Pico Iyer's Video Night in Kathmandu.
Chapter 2 discusses the concept of geographic "zones", or how regions have travel mythologies built up by previous travel writers; new writers either attempt to re-discover what they pre-suppose to be there ("the dark heart of Africa"), or attempt to tear down the myths, in both cases reinforcing and continuing the mythologies. The chapter examines the zones of of the "tropical" (Congo and Amazon); the "Oriental" (Japan); the "exotic" (South Seas); and the "liminal" (Arctic). Within each zone there are 3 or 4 case authors and works discussed.
Chapter 3 looks at women and gay male writers as alternative voices. Chapter 4 examines hybrids of travel literature such as "virtual travel" and the "eco-traveler" - some of the best examples of the later include David Quammen's The Song of the Dodo, Peter Matthiessen's Cloud Forest and Barry Lopez' Arctic Dreams.
Overall I learned a lot, even though certain passages were opaque with academic verbosity. It has made me examine my notions about the trustworthiness of travel literature as an alternative to travel; the value of travel itself and the hidden complacency (co-dependence) between the travel industry and travel writing; my own inherit prejudices as a white, middle-class male and the mythologies that travel literature re-enforce; to expand my horizons on what kind of travel literature I choose to read; and helped place many well known authors and works in better historical context.
 Fabulous book February 15, 1999
1 out of 12 found this review helpful
Incisive, educated, fascinating. Great reading!
|
|
|
Powered by Associate-O-Matic
| |
