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Music and the Mind

Music and the Mind
Author: Anthony Storr
Publisher: HarperCollins Publishers Ltd
Category: Book

List Price: $16.50
Buy New: $9.86
You Save: $6.64 (40%)



New (7) Used (7) from $5.97

Avg. Customer Rating: 3.5 out of 5 stars 9 reviews
Sales Rank: 1153273

Media: Paperback
Pages: 224
Shipping Weight (lbs): 0.4
Dimensions (in): 7.6 x 5 x 0.8

ISBN: 0006861865
Dewey Decimal Number: 781
EAN: 9780006861867
ASIN: 0006861865

Publication Date: April 7, 1997
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.

Also Available In:

  • Paperback - Music and the Mind
  • Hardcover - Music and the Mind
  • Hardcover - Music and the Mind

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Editorial Reviews:

Product Description
A look at music and its relation to human perception traces the origins of music and its functional development in human society as entertainment, communication, and therapy, arguing for the universality and centrality of music.


Customer Reviews:   Read 4 more reviews...

4 out of 5 stars Good reference book.   June 29, 2008
I used this book to help me write my senior thesis (rooted in music education). Very helpful reference book and has excellent research about music therapy and autism.


5 out of 5 stars Music and the Mind   February 23, 2007
 1 out of 8 found this review helpful

The book was in great condition and I received it on time.


1 out of 5 stars patchy.not written by a professional musician and it shows   February 9, 2006
 7 out of 20 found this review helpful

Bitterly disappointed in this book.A little bit of knowledge on music can be a dangerous thing and this rambling patchwork quilt of fragments is a pretty dismal affair.There are a handful of people who write well on music (a difficult thing to do)and i'd direct people to the likes of Charles Rosen (serious)and Norman Lebrecht(populist)


5 out of 5 stars Staggering   January 30, 2005
 2 out of 2 found this review helpful

I did not know quite what to expect when i ordered this book. The only reason that i did so was because I needed to write my senior thesis and every applicable book at our library was gone. So, i opted just to buy this.

After about 6 or 7 pages into the book, i knew that i had found something golden. Mr. Storr writes in a way that makes the text incredibly informative, yet still engaging and understandable. While not every aspect of the novel is covered thoroughly, it still will give enough information on almost any topic that you could possibly require.

I highly recommend this book. It has opened my eyes to a world of philosophy that i hadn't even looked at until this time.

I'm sure that you will find this as indispensable as i do.



3 out of 5 stars A good place to start   March 10, 2004
 17 out of 22 found this review helpful

Anthony Storr does a very good job describing the various facets of the complex interplay between music and mind. He points to the biological bases of it, explores the philosophical debates around it and gives acounts of basic music theory. He is a good writer and manages to engage the reader's interest through most of the book. That is very admirable considering the nature of the subject matter and the poor job often done by other writes venturing into similar subjects.

There are however some minor flaws. The connection between the biological foundations of music and western philosophy is a difficult and dubious one and Storr does not really manage to fuse them in a smooth and comprehensive way. They stand aloof and strange to each other. Another flaw is the fact that the book heavily, though not exclusively, draws on classical western music: an admitedly very peculiar and eurocentric kind of music. This leaves out much of the richness of other kinds of music e.x. jazz, folk music, religious music. It also makes his principal endeauvour, to connect music to the mind/body, more difficult. Classical music after all epitomizes the cerebral, distanced and controlled sort of musical apprehension in contrast to folk and popular music which is more expressive and ecstatic. Had he made the opposite methodological choice, folk before classical, he might have had more succes in making the connection between music to the mind/body.

Still the book is an excellent introduction to the topic.

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