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This Is Your Brain on Music: Understanding a Human Obsession

This Is Your Brain on Music: Understanding a Human Obsession
Author: Daniel J. Levitin
Publisher: Atlantic Books
Category: Book

Buy New: $24.71



New (8) Used (3) from $23.47

Avg. Customer Rating: 3.5 out of 5 stars 106 reviews
Sales Rank: 908700

Media: Hardcover
Pages: 320
Shipping Weight (lbs): 1.4
Dimensions (in): 9.1 x 6.3 x 1.4

ISBN: 1843547155
EAN: 9781843547150
ASIN: 1843547155

Publication Date: September 13, 2007
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New. Delivery is usually 5 - 8 working days from order, International is by Royal Mail Airmail

Also Available In:

  • Hardcover - This Is Your Brain on Music
  • Audio CD - This Is Your Brain on Music: The Science of a Human Obsession
  • Paperback - This Is Your Brain on Music: The Science of a Human Obsession
  • Hardcover - This Is Your Brain on Music: The Science of a Human Obsession
  • Audio Download - This Is Your Brain on Music: The Science of a Human Obsession
  • Kindle Edition - This is Your Brain on Music: The Science of Human Obsession
  • Library Binding - This Is Your Brain on Music: The Science of a Human Obsession

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Customer Reviews:   Read 101 more reviews...

4 out of 5 stars Your Brain on Music   August 29, 2008
This was a fascinating book more so because I am a deafened adult. I had my memories when I lost all hearing in 1977. Experiences I've had since seem weird to me because I remember. Now I understand why. This is a very informative book from both the music lover and indifferent listener points of view.




4 out of 5 stars A different perspective   August 18, 2008
 0 out of 1 found this review helpful

In the first chapter, he made some statements about music that I know to be wrong, so I was tempted to quit, but I thought that perhaps he may still have something interesting to say--I think of the difference between a "satellite view" map and a "street view" map. He has had many interesting things to say, and I am even suspicious that his "errors" at the beginning were an intentional simplification. Even though written for the "layman," it's still pretty heavy reading--and much more focused on the brain's processes than on how music works.
A bit heavy on name-dropping (he started out as a producer), and more "don't know what's happening here" than I hoped for (but I appreciate the honesty). Interesting--but perhaps specialized: it could easily be a different book than you're expecting.



5 out of 5 stars One of the best books you can find on the science of music!   August 1, 2008
 1 out of 1 found this review helpful

This book was found, as many of my great finds, on the shelves of a used-book store. The book has traveled around in my car with me as I go from school to my job as a voice teacher. It has been loaned out to music professors, and is now very well worn.

I strongly recommend this book for musicians and music lovers alike. It is beautifully written in a way that nearly anyone can understand, with common examples of music from classical to popular music styles.

An excellent introduction into the technical side of how the brain processes music.



5 out of 5 stars Great Book   July 29, 2008
The story about Petr Janata and the barn owls is worth the price of the book alone.

Thanks for a great resource Mr. Levitin.



4 out of 5 stars Thought provoking, but with obvious flaws   July 23, 2008
One can't expect a thorough look into the interplay of phychology, mind-body mechanics, and music in a shory popular book. That being said, this was an entertaining romp through the field.

The first seventy or so pages was essentially an introduction to music theory and how the mind can proces music as, well, music. For those with a music background it will be tedious and won't tell you much that you don't already know, but for someone who has only touched on it it will be like drinking from a firehose with all the information in the pages.

The rest of the book deals more directly with why certain music is liked, how it most likely evolfved, and the practical utility of music in society and individual survival. If you're ever wondering why there are still oldies stations around, it's because of all the boomers who have an emotional attachment to music of their youth, the time when music tastes are most aggressively defined.

One annoyance was the infantile critique of mind-body interplay, where he ascribes to the opinion of Dennitt that the brain creates the mind. There's not enough room in the review to state why that is incorrect, but it shouldn't have even delved on this weighty topic. Overall though, there wasn't much blanket overgeneralization that plagues many popular science books, though the meanderings of the authors was at times tiring.

Overall, pretty good, and a quick read for someone interested in the topic.


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