The History of Mary Prince, A West Indian Slave, Related by Herself

This book describes in detail the reality of the slave experience: the dehumanization of Black people, the moral degradation of their masters, and the ever-present violence. Prince's story is also an important early defense of the humanity of people of African descent. She notes that slave masters "think that black people are like cattle, without natural affection. But my heart tells me it is far otherwise."

Prince tells of her labor in the salt ponds of Turk's Island, her conflict with a hired mulatto woman, her spiritual life in the Moravian Church, and many other topics. Ultimately, she celebrates the desire and hope for freedom: "All slaves want to be free."

"The History of Mary Prince" does not quite attain the level of literary craftsmanship and psychological complexity as do some other classic slave narratives (I am thinking in particular of those of Frederick Douglass and Harriet Jacobs). But it is still a powerful, authoritative, and important human testament. Mary Prince declares, "I have been a slave--I have felt what a slave feels, and I know what a slave knows." We of later centuries need to hear her words.


A Woman's Voice and the Experience of Slavery   September 24, 2000
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First published in 1831, "The History of Mary Prince" is an extraordinary cultural document. It is the first published account of a female British ex-slave. Mary Prince, a slave in the West Indies in the late 18th and early 19th centuries, tells the story of her life in an effort to awaken sympathy for the abolitionist movement in England.

Mary particularly emphasizes instances of the arbitrary punishments meted out by her various masters. She repeatedly questions how the British, a civilized nation, could permit its colonists to treat its colonial work force like brute beasts. Mary elicits our attention and respect in the ways she manages to resist the brutality of her masters, both physically and vocally. She often shows herself speaking out against cruelty regardless of social taboos, accepted colonial norms of unquestioning obedience, and the image of the "benevolent" slave owner.

Mary's narrative is also remarkable for her characterization as the "self-made heroine." Mary tells us extensively about her attempts to save enough money to purchase her freedom, and to engage, convert, and marry the man of her choice. As the editor of this edition points out, as Mary begins to learn the value of her labor, she more easily manipulates her owners into realizing their own powerlessness over her. A sort of Wollstonecraftian feminist hero, Mary Prince bases her self-definition on her ability to be financially, as well as physically independent, and to improve herself through education and religion.

One limitation of "The History of Mary Prince" is the fact that it was only dictated by Prince. It was transcribed and published by British abolitionists, who may have suggested the emphasis on brutality and deemphasis on specifically sexual violence. It is impossible to know the extent of the editing process, which was out of Prince's hands. Nonetheless, this edition, edited by Moira Ferguson, contains many relevant historical documents which provide a rich context for Prince's narrative.