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Understanding Screenwriting: Learning from Good, Not-quite-so-good, and Bad Screenplays

Understanding Screenwriting: Learning from Good, Not-quite-so-good, and Bad Screenplays
Author: Tom Stempel
Publisher: Continuum International Publishing Group
Category: Book

List Price: $19.95
Buy New: $12.21
You Save: $7.74 (39%)



New (25) Used (5) from $10.13

Avg. Customer Rating: 5.0 out of 5 stars 1 reviews
Sales Rank: 826518

Media: Paperback
Number Of Items: 1
Pages: 230
Shipping Weight (lbs): 0.8
Dimensions (in): 8.8 x 5.9 x 0.9

ISBN: 0826429394
Dewey Decimal Number: 808.23
EAN: 9780826429391
ASIN: 0826429394

Publication Date: April 15, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand New, Perfect Condition, Please allow 4-14 business days for delivery. 100% Money Back Guarantee, Over 1,000,000 customers served.

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Editorial Reviews:

Book Description
From the author's introdution:

This book isn't about me, it's about you. I am a teacher, not a guru. As a wise teacher once said, "With a guru it is all about the guru--his vision and the students' loyalty to him. Whereas with a teacher, it is all about the students learning." You should be reading this book because you, as screenwriters, directors, producers, development executives, critics, historians, students in those disciplines, and just plain movie fans want to learn about screenplays.

Feisty, clever, entertaining, and at times incredibly arch and cutting, Tom Stempel's Understanding Screenwriting delivers a practical how-to (or how-NOT-to) guide to writing a screenplay. Why study a bad screenplay? For the simple fact that it will train you to look for problems in your own work and avoid them in the future.

* Why does Rear Window's success owe more to John Michael Hayes's screenplay than Alfred Hitchcock's directing?

* Why is Bull Durham's "I believe in the church of baseball" one of the great opening lines in the history of movies?

* Why is James Cameron's first draft screenplay for Titanic better than the film?

* What can we learn from Kinsey about writing about sex for American audiences?

* Why is Lawrence of Arabia one of the best examples of "writing for performance" in films, not only the performances of the actors, but also of the director, cinematographer, and composer?

Stempel guides the reader through a cross section of cinema: historical epic, adventure,science fiction, teen comedy, drama, romantic comedy, suspense--films with budgets large and small. Selective in its discussions and (sometimes withering) analyses, Stempel dissects the blockbusters and the bombs, discusses why certain aspects of a screenplay work and others do not, explains the difference between the film we watch and what was, the screenplay, and lays out some of screenwriting's hard and fast taboos, only to give examples of screenplays that break them, with successful results. Full of insight for novice and expert screenwriters alike, Understanding Screenwriting is the perfect book for anyone looking to gain a deeper understanding of how screenplays work.


Customer Reviews:

5 out of 5 stars Every screenwriting instructor should use this book!   June 23, 2008
 2 out of 2 found this review helpful

Stempel's premise: that screenwriting students can learn just about as much from analyzing bad and so-so scripts as they can from studying the good ones. And, he's right. Using nearly 100 examples (the earliest being 1962's "Lawrence of Arabia"), Stempel guides his readers through plot, story, character, and dialogue and lets them draw their own conclusions. His own writing style is concise, very clever, and wonderfully candid, and the man can spot plot and logic holes at 50 paces. I have recommended this book enthusiastically to all my clients, writing students, and colleagues (even to my agent!), and their feedback has been as enthusiastic as my own.

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