|
Bel Canto: A Novel | 
| Author: Ann Patchett Publisher: HarperCollins Category: Book
List Price: $25.95 Buy Used: $0.09 You Save: $25.86 (100%)
New (26) Used (65) Collectible (26) from $0.09
Avg. Customer Rating: 580 reviews Sales Rank: 266150
Media: Paperback Edition: 1st Number Of Items: 1 Pages: 336 Shipping Weight (lbs): 1.3 Dimensions (in): 9.6 x 6.5 x 1.1
ISBN: 0060188731 Dewey Decimal Number: 813.54 EAN: 9780060188733 ASIN: 0060188731
Publication Date: June 1, 2001 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: Cover wear and may contain some marks or writing. Keen Northwest ships in 2 business days or less. Refunds for any reason if item returned within 30 days of shipment.
|
| Also Available In:
|
| Similar Items:
|
| Editorial Reviews:
Amazon.com Review In an unnamed South American country, a world-renowned soprano sings at a birthday party in honor of a visiting Japanese industrial titan. His hosts hope that Mr. Hosokawa can be persuaded to build a factory in their Third World backwater. Alas, in the opening sequence, just as the accompanist kisses the soprano, a ragtag band of 18 terrorists enters the vice-presidential mansion through the air conditioning ducts. Their quarry is the president, who has unfortunately stayed home to watch a favorite soap opera. And thus, from the beginning, things go awry. Among the hostages are not only Hosokawa and Roxane Coss, the American soprano, but an assortment of Russian, Italian, and French diplomatic types. Reuben Iglesias, the diminutive and gracious vice president, quickly gets sideways of the kidnappers, who have no interest in him whatsoever. Meanwhile, a Swiss Red Cross negotiator named Joachim Messner is roped into service while vacationing. He comes and goes, wrangling over terms and demands, and the days stretch into weeks, the weeks into months. With the omniscience of magic realism, Ann Patchett flits in and out of the hearts and psyches of hostage and terrorist alike, and in doing so reveals a profound, shared humanity. Her voice is suitably lyrical, melodic, full of warmth and compassion. Hearing opera sung live for the first time, a young priest reflects: Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven. Joined by no common language except music, the 58 international hostages and their captors forge unexpected bonds. Time stands still, priorities rearrange themselves. Ultimately, of course, something has to give, even in a novel so imbued with the rich imaginative potential of magic realism. But in a fractious world, Bel Canto remains a gentle reminder of the transcendence of beauty and love. --Victoria Jenkins
Product Description
Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of Mr. Hosokawa, a powerful Japanese businessman. Roxanne Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening -- until a band of gun-wielding terrorists breaks in through the air-conditioning vents and takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, as terrorists and hostages forge unexpected bonds and people from different countries and continents become compatriots. Without the demands of the world to shape their days, life on the inside becomes more beautiful than anything they had ever known before. At once riveting and impassioned, the narrative becomes a moving exploration of how people communicate when music is the only common language. Friendship, compassion, and the chance for great love lead the characters to forget the real danger that has been set in motion and cannot be stopped. Ann Patchett has written a novel that is as lyrical and profound as it is unforgettable. Bel Canto engenders in the reader the very passion for art and the language of music that its characters discover. As a reader, you find yourself fervently wanting this captivity to continue forever, even though you know that real life waits on the other side of the garden wall. Bel Canto is a virtuoso performance by one of our bestand most important writers. It is a no novel to be cherished.
|
| Customer Reviews: Read 575 more reviews...
Such a disappointing read September 1, 2008 1 out of 1 found this review helpful
I am an avid reader; currently living in an unnamed South American country. I could wax poetic about the beautiful writing and character development in this book, but let's be honest. I was reading it on a nine-hour flight without another option, otherwise this book would have been passed over quickly. It took numerous attempts to even keep going. It was unrealistic, superficial and I feel the ending was disrespectful to the people who made it that far. It was unbelievable and I feel the author lost interest in the book herself and copped out. This book rates in the bottom ten of all time, personally.
Patchett Delivers Again August 31, 2008 Wow. I don't think I've ever had an afterglow after reading a book. Just like an awesome love-making session, I just sat there afterwards, basking in the feelings that Bel Canto arose in me. "Bel Canto" literally means good singing, and Patchett certainly delivered a good read about good singing and the transformative power of art, even in settings where, on the face of things, no beauty should be found at all.
This book is a tragicomedy about a 4-month hostage experience that turns into something extraordinary. It centers around the presence of the world's most famous soprano, but other characters are far more gripping. Some characters, like the red-cross negotiator, wither under the trying circumstances. Other characters, like Gen, come into their own and continue to amaze us with his development. Patchett's strength is for developing nuanced characters.
Her other strength is carrying readers to the rhythm of the book (or should I say, the music?) I was tense in the beginning when the crisis ensued, got lulled into the same hypnotic complacency that the hostages and terrorists did in the middle of the book, then tensed up again as the plot thickens at the end. Good reads are supposed to do that, but Patchett does it exceptionally well, really tying the readers' complacency to the characters'.
Just read it. You'll be glad you did.
simply wonderful August 26, 2008 Technically, I LISTENED to this book, narrated by Anna Fields, who did an amazing, amazing job. It got so that I could tell which character was speking before she finished a sentance; she was that good. The story itself was moving -- happy, sad, terrifying, ridiculous -- the way any period of your life is; it isn't all one thing or the other. Patchett did a wonderful job developing the characters. I am going to miss Mr. Hosakawa.
Stunning and Emotional August 12, 2008 2 out of 2 found this review helpful
This book sat on my shelf for years before I finally picked it up. Once I started I couldn't stop. The story is beautifully written and despite the entire book taking place in one house it is engaging and entertaining. It takes some stretch of the imagination to think this story could be real but I don't think it was ever intended that way, being in a small country in South America that's never actually named.
When I finished the book I was taken by how Patchett had been able to match my emotions to those in the book - I felt nervous in the beginning for the hostages, then took up the fantasy of terrorist and hostage living together after the whole ordeal was over. I couldn't wait for a happy epilogue checking into Gen and Carmen, Mr. Hokosawa and Roxane, Cesar, Beatriz... Now I'm reeling and dejected.
Bel Canto August 6, 2008 4 out of 4 found this review helpful
Beautifully written, this book reminded me of reading Gabriel Garcia Marquez. The "unreality" of it all. Not meant to be taken literally. Loved the way the narrator was upfront about what happened later in the story because then our concentration is on how it all unfolds. Great use of the omniscient point of view. The narrator puts his spin and interpretation of events as they are unfolding. People coming together and crossing the artificial boundaries that we put up to separate ourselves. The characters are able to find themselves as they are being held hostage. Their needs and wants, and also those of the hostage takers, are reduced yet intensified with their limitations as hostages. (I'm sure there is a better word for hostage takers, but I can't think of one now. Captors?)
It was interesting to hear another friend's perspective on this book. I had heard before reading it that it was either hated or loved. After talking with my friend who hated it, I better understand the polarization. Suspension of disbelief is necessary to enjoy this book. Her main reason for not being able to enjoy the book was predicated on her belief that that people in a hostage situation wouldn't behave in this way, and she has a point, they wouldn't. However for me, it wasn't so far from the realms of possibility. In horrific situations people do amazing things to adapt, and will often identify with their captors. I was willing to suspend disbelief because I was caught up in the greater beauty of the connections the characters starting making with themselves and with each other.
I would recommend this book to anyone who enjoys beautiful and lyrical prose in a tale that leans heavily on the fantastical.
|
|
| Powered by Associate-O-Matic
| |