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The Architecture of Happiness | 
| Author: Alain De Botton
Publisher: McClelland & Stewart
Category: Book
Buy New: $36.25
New (1) Used (1) from $36.25
Avg. Customer Rating:  34 reviews
Media: Paperback
Number Of Items: 1
Pages: 288
Shipping Weight (lbs): 0.9
Dimensions (in): 8 x 6.1 x 0.6
ISBN: 0771026072
EAN: 9780771026072
ASIN: 0771026072
Publication Date: April 8, 2008
Availability: Usually ships in 1-2 business days
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Condition: Brand New! Immediate Shipment!
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Product Description
Bestselling author Alain de Botton considers how our private homes and public edifices influence how we feel, and how we could build dwellings in which we would stand a better chance of happiness.
In this witty, erudite look at how we shape, and are shaped by, our surroundings, Alain de Botton applies Stendhal’s motto that “Beauty is the promise of happiness” to the spaces we inhabit daily. Why should we pay attention to what architecture has to say to us? de Botton asks provocatively.
With his trademark lucidity and humour, de Botton traces how human needs and desires have been served by styles of architecture, from stately Classical to minimalist Modern, arguing that the stylistic choices of a society can represent both its cherished ideals and the qualities it desperately lacks. On an individual level, de Botton has deep sympathy for our need to see our selves reflected in our surroundings; he demonstrates with great wisdom how buildings — just like friends — can serve as guardians of our identity.
Worrying about the shape of our sofa or the colour of our walls might seem self-indulgent, but de Botton considers the hopes and fears we have for our homes at a new level of depth and insight. When shopping for furniture or remodelling the kitchen, we don’t just consider functionality but also the major questions of aesthetics and the philosophy of art: What is beauty? Can beautiful surroundings make us good? Can beauty bring happiness? The buildings we find beautiful, de Botton concludes, are those that represent our ideas of a meaningful life.
The Architecture of Happiness marks a return to what Alain does best — taking on a subject whose allure is at once tantalizing and a little forbidding and offering to readers a completely beguiling and original exploration of the subject. As he did with Proust, philosophy, and travel, now he does with architecture.
From the Hardcover edition.
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| Customer Reviews: Read 29 more reviews...
 My son is enjoying it June 9, 2008
I bought this book for my son who just declared his major in college to be architecture. He has been reading it for a few days and when I asked him if he liked it he said it was pretty good and that is good enough for me.
 If a philospher had eyes May 27, 2008
I have given copies to a Zen priest and an award winning architect thinking they would both be exhilerated if not inspired. The Architecture of Happiness lends insights and provocation enough to raise new questions, new slants on how one practices...whatever field you are in.
 Opens doors to creative thought May 21, 2008
The Architecture of Happiness, written by Alain de Botton, outlines the historical evolution of architecture over the past century and the reciprocal effects that architectural surroundings may have on one's mood and overall outlook in life. The author offers an in-depth exploration of the cultural, political, and social influences which have been important in shaping the evolution of architectural design.
The book begins with a discussion about the relative historical and political factors that have influenced the appearance of architectural design. He also offers an in-depth look at how the details of one's surroundings can subtly influence one's feelings about the environment and the self. In choosing or designing one's environment, he philosophizes that one chooses a reflection of his or her ideal self, or internal world.
The psychological interpretations made by the author are mostly subjective and philosophically based, without any empirical research being used to support his opinions. Some of the reasoning that the author uses to support the importance of architectural details seems fundamentally flawed. For example, he uses the importance of one millimeter's difference in the human lip to explain how important architectural detail is to a building. However, the human ability to recognize slight differences in human faces is a survival mechanism that enables us to differentiate each of the billions of faces that exist in the world, and it is not likely that this capability generalizes to building architecture.
The writing style and lexicon in this book make for an informative read, but may be difficult to absorb by those looking for entertainment. Readers with professional careers in architecture, art history, or philosophy, may find that this book opens the door to creative thought about the connection between one's environment and psychological factors.
Armchair Interviews says: Book most important to someone in the architectural field.
thought provoking February 17, 2008
de Botton always writes dense thought provoking reviews often on things we know about but don't ruminate about. So it was with his Proust book. Of course since Lehrer has told us that Proust was a neuroscientist Proust is now more widely mentioned, though probably not read. One would need to take to his bed.... The architecture of happiness in a like manner encourages one to think about how design works on us and throughout time has influenced us. It encourages us to ruminate about the things we make and see. I have given a copy to a young girl who wants to go into architecture as I believe it will widen her horizon. I highly encourage reading of this short tome and studying the pictures for any who can sit in a comfortable chair.
The author reflects on architecture January 13, 2008
Considering the significance of architecture, the author remarks that beautiful houses falter as guarantors of happiness and can also be accused of failing to improve the characters of those who live in them and proceeds by explaining why this is so. Karl Friedrich Schinkel for example stated that to turn something useful, practical, and functional into something beautiful is the architect's duty. Architecture should thus be the decoration of construction as distinguished from mere building. The architects of the Modernist movement, like all their predecessors, wanted their houses to speak and express emotions. Indeed buildings speak. They speak of democracy or aristocracy, openness or arrogance, welcome or threat, sympathy for the future or a hankering for the past.
Interestingly enough what we search for in a work of architecture is not so far from what we search for in a friend because the objects we describe as beautiful art versions of the people we love. The buildings we admire are those which extol values we think are worthwhile: through their materials, shapes and colours they express qualities such as friendliness, kindness, subtlety, strength and intelligence. As Stendhal wrote, "Beauty is the promise of happiness."
We are vulnerable to what the spaces we inhabit are saying. In a drab hotel room our optimism and sense of purpose are liable to drain away. We look to our buildings to hold us, like a kind of psychological mould, to a helpful vision of ourselves. We need a home in the psychological sense as much as we need a home in the physical sense: to compensate for vulnerability, we need a refuge.
We may feel joy at the architectural perfection we see before us and at the same time melancholy at an awareness of how seldom we are sufficiently blessed to encounter anything of its kind. And sadness is conducive to receptivity: our downhearted moments provide architecture and art with their best openings because it is at such times that our hunger for their ideal qualities is at its height.
Such thoughts and many other are contained in this study of architecture and make for a valuable and interesting read.
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