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Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice | 
| Author: Juliette Aristides
Publisher: Watson-Guptill
Category: Book
List Price: $29.95
Buy New: $17.18
You Save: $12.77 (43%)
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Avg. Customer Rating:  27 reviews
Sales Rank: 5190
Media: Hardcover
Number Of Items: 1
Pages: 144
Shipping Weight (lbs): 2.2
Dimensions (in): 11.1 x 9.1 x 0.8
ISBN: 0823006573
Dewey Decimal Number: 741.2
EAN: 9780823006571
ASIN: 0823006573
Publication Date: October 13, 2006
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Book Description
An atelier program between the covers of a book
* Serious techniques for the serious art student
* Study the work of the Old Masters and today's top realist artists
* In the tradition of Watson-Guptill's classic Drawing Lessons from the Old Masters Ateliers have produced the greatest artists of all time--and now that educational model is experiencing a renaissance. These studios, a return to classical art training, are based on the nineteenth-century model of teaching artists by pairing them with a master artist over a period of years. Students begin by copying masterworks, then gradually progress to painting as their skills develop. Classical Drawing Atelier is an atelier in a book--and the master is Juliette Aristides, a classically trained artist. On every page, Aristides uses the works of works of Old Masters and today's most respected realist artists to demonstrate and teach the principles of realist drawing and painting, taking students step by step through the learning curve yet allowing them to work at their own pace. Unique and inspiring, Classical Drawing Atelier is a serious art course for serious art students.
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| Customer Reviews: Read 22 more reviews...
 Beautiful Book April 20, 2008
I had to buy this for my Life drawing class, but I'm not going to sell it back to my school. This book is great. Though it is a bit repetitive, it helps break down drawing skills. After reading this book, I drew a portrait that sold for over $100. It also has some beautiful pictures in it, so now my mother has stolen it, to have on her coffee table....
a masterpiece April 16, 2008
After working with Juliette in her Atelier and practicing these exercises I've discovered things I never expected to learn. Her methods are priceless tools. Whatever you might glean from this wonderful book will most certainly serve you. She is an excellent painter, writer and teacher.
Beautiful drawing March 21, 2008
This comprehensive manual displays a appreciation of the human form and explainns the most important aspects of figure drawings executed in a classic timeless style.
 Better than most darwing books March 21, 2008
First off I'd like to say that this book will prove to be very helpful for any artist, ranging from a beginner to a professional and will show you new ways to approach drawing. However if you have studied classical drawing this will prove to be a bit of a let down. I have studied under one of Juliette's instructors and most of her lessons in the back of the book were actually derived from his his. There is one thing however I don't agree with in this book but that wouldn't discourage me from recommending it to others. The problem is that I don't like the way she shows how to draw the casts, its more of an outline that you then go through and work with value rather than working with a line drawing then introducing value. I'm not very found of this technique, but the drawings are very good and there are tons of useful information and great introductory lessons in the back of the book (though there could be more). I would also recommend studying George Bridgman, Gottfried Bammes, Joseph Sheppard, and Robert B. Hale for anatomy and designing the human figure.
Classical Drawing Atelier March 7, 2008
At 144 pages, over one-third of which are drawing examples and with wide margins around the text, this is a slim book that covers the past 600 years of atelier philosophy. Or to say it another way, Aristides narrows it down to a nutshell.
Covering briefly a variety of ideas (i.e., art history, art theory, art reference, as well as how-to), each chapter could be expanded to become a book of its own.
The real questions are:
Do you want to buy this book?
Will you refer to it 100 times over the year?
Will you be inspired?
Will you take "anything" away with you after you have read the book?
The answer will depend on your current perceptions and where you are and where you are going as an artist. If you are interested in an overview of atelier philosophy, this would be a good book to begin with.
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