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Sarah Kane: Complete Plays

Sarah Kane: Complete Plays
Author: Sarah Kane
Publisher: A&C Black
Category: Book

List Price: $24.95
Buy New: $14.88
You Save: $10.07 (40%)



New (34) Used (10) from $11.80

Avg. Customer Rating: 5.0 out of 5 stars 6 reviews
Sales Rank: 32693

Media: Paperback
Number Of Items: 1
Pages: 230
Shipping Weight (lbs): 0.5
Dimensions (in): 7.5 x 5 x 0.7

ISBN: 0413742601
Dewey Decimal Number: 808
EAN: 9780413742605
ASIN: 0413742601

Publication Date: May 1, 2001
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand new item. Over 4 million customers served. Order now. Selling online since 1995. Few left in stock - order soon. Code: P20081117114142S

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  • 'Love Me Or Kill Me': Sarah Kane and the Theatre of Extremes

Editorial Reviews:

Product Description

An anthology of the complete works of one of the most important and controversial dramatists of the late twentieth century. All the plays pushed to the limits the naturalistic boundaries of British theatre and are now widely studied at schools and colleges. This volume contains all of Sarah Kane's plays: Blasted, Phaedra's Love, Cleansed, Crave, 4.48 Psychosis, and Skin, written before her death in 1999.




Customer Reviews:   Read 1 more reviews...

5 out of 5 stars Brutal, crude and important   April 14, 2008
A unique voice that took her life too soon. These plays are an important testament to the IN Your Face Theater that lashed out in the 90s. Sometimes mistaken for pointless violence, Kane has a brilliant ability to cut to the heart of humanity and explore the darker aspects of our own kind.


5 out of 5 stars Dramatics   January 12, 2007
 2 out of 2 found this review helpful

Sarah Kane's collected plays represent an underestimated force in theater. Much like the work of Elfriede Jelinek or Ntozake Shange, Kane takes a private pain (losing oneself in another or testing the limits of proclaimed love) and creates a verbal landscape that the audience must inhabit, either by force of shock or noble acceptance of empathy. In either case, her plays must be reckoned with upon finishing. I think perhaps the most intriguing and powerful to me was 4.48 Psychosis, her final and posthumously performed play. There are no defined characters because who cannot claim a piece within the multitude of confessions that the play really unfolds as. Brutally honest and intentionally confrontational, this play, above the others, embodies the last possible moments of hope in anyone's life. Kane's characters rarely make the choice to latch on to these moments, but they are there and cannot be ignored.


5 out of 5 stars Not just Family Fun...   November 25, 2003
 8 out of 9 found this review helpful

Sarah Kane is anything but family friendly. Her plays are raw, brutal, and yet beautiful in an ironic way. She takes all of the hate that exists in this world and uses it to show us the beauty that can come from the ruble of a blown up building. There is no way to actually describe Sarah Kane to you to make you want to buy her book. I was forced to buy it because of a class at my college, but I don't think I'll be selling this one back. I never thought I would enjoy a play such as Blasted. If you want to understand what my review actually means, buy the book, read a couple of her pieces and then read this again. I'm sure you will understand then.


5 out of 5 stars BRUTAL BUT BEAUTIFUL!   April 20, 2003
 2 out of 3 found this review helpful

One of the strongest women writers that lived, she revolutionized theatre and her death was unfortunate robbed theatre of her potential. A Great collection of her complete work at a great price. Cleansed was my favorite in the collection. Her work is so poetic, stark, honest, painful, and brutal.


5 out of 5 stars Traumatic, funny, devastating   May 31, 2001
 6 out of 6 found this review helpful

These are the most electric scripts to arrive in a long while. Sadly, the source was snuffed in 1999. Kane's writing is at once repellent and seductive. "Blasted" is exceptional, riffing on Beckett blatantly, but still signature of a visionary voice: inyerface, exuberant, filthy, poetic, profound. As a debut, it is truly remarkable. "Phaedra's Love" and "Cleansed" push the envelope past the hyper-real into lightning-bright brilliance, and with thunderous emotional depth. How does one stage this stuff? Kane's challenging work sets the imagination--and ultimately, the soul--on fire.

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