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How Sondheim Found His Sound

How Sondheim Found His Sound
Author: Steve Swayne
Publisher: University of Michigan Press
Category: Book

List Price: $18.95
Buy New: $14.21
You Save: $4.74 (25%)



New (11) Used (7) from $9.95

Avg. Customer Rating: 4.0 out of 5 stars 5 reviews
Sales Rank: 370626

Media: Paperback
Number Of Items: 1
Pages: 336
Shipping Weight (lbs): 1.2
Dimensions (in): 9.2 x 6.1 x 1.1

ISBN: 0472032291
Dewey Decimal Number: 792
EAN: 9780472032297
ASIN: 0472032291

Publication Date: May 8, 2007
Availability: Usually ships in 24 hours

Editorial Reviews:

Product Description

“Steve Swayne’s How Sondheim Found His Sound is a fascinating treatment and remarkable analysis of America’s greatest playwright in song. His marvelous text goes a long way toward placing Stephen Sondheim among the towering artists of the late twentieth century!”

—Cornel West, Princeton University

“Sondheim’s career and music have never been so skillfully dissected, examined, and put in context. With its focus on his work as composer, this book is surprising and welcome.”

—Theodore S. Chapin, President and Executive Director, The Rodgers and Hammerstein Organization

“. . . an intriguing ‘biography’ of the songwriter’s style. . . . Swayne is to be congratulated for taking the study of this unique composer/lyricist into hitherto unnavigated waters.”

Stage Directions

“The research is voluminous, as are the artistry and perceptiveness. Swayne has lived richly within the world of Sondheim’s music.”

—Richard Crawford, author of America’s Musical Life: A History

“Amid the ever-more-crowded bookshelf of writings on Sondheim, Swayne’s analysis of Sondheim’s development as a composer stands up as a unique and worthy study. . . . For the Sondheim aficionados, there are new ideas and new information, and for others, Swayne’s How Sondheim Found His Sound will provide an intriguing introduction into the mind of arguably the greatest and most influential living Broadway composer.”

talkinbroadway.com

“What a fascinating book, full of insights large and small. An impressive analysis and summary of Sondheim’s many sources of inspiration. All fans of the composer and lovers of Broadway in general will treasure and frequently refer to Swayne’s work.”

—Tom Riis, Joseph Negler Professor of Musicology and Director of the American Music Research Center, University of Colorado

Stephen Sondheim has made it clear that he considers himself a “playwright in song.” How he arrived at this unique appellation is the subject of How Sondheim Found His Sound—an absorbing study of the multitudinous influences on Sondheim’s work.

Taking Sondheim’s own comments and music as a starting point, author Steve Swayne offers a biography of the artist’s style, pulling aside the curtain on Sondheim’s creative universe to reveal the many influences—from classical music to theater to film—that have established Sondheim as one of the greatest dramatic composers of the twentieth century.




Customer Reviews:

3 out of 5 stars Good but not Great   January 17, 2007
 5 out of 5 found this review helpful

This book got off to a good start, analyzing Sondheim's favorite classical composers and how they show up in his own musical language. The next chapter is devoted to Sondheim's broadway influences, and gives a good examination of these as well.

The second half of the book is devoted to Sondheim's theatrical and cinematic influences. It is here that Swayne goes off track. Though he makes some interesting connections between film technique and musical composition, it seems to me that this is where his thesis falls short, and could have been developed much more cogently. Also, one would think that Swayne would devote more attention to actual film scores.

My main complaint is that in a book called "How Sondheim Found His Sound", one would expect to find at least a mention of the orchestration in Sondheim's shows. Perhaps this is just my own personal bent, as I have always wondered just how Sondheim works with his orchestrators and to what extent he thinks in orchestral terms.

In terms of the writing, this book (especially in the later chapters) all too often reads like an undergraduate music paper. All this being said, there's enough in here to warrant purchase by real Sondheim junkies.



3 out of 5 stars A severely flawed look at pieces of the craft.   December 29, 2006
 3 out of 4 found this review helpful

To the writer: For whom was this book written? Who was the intended audience? What's with the "thesaurus" words peppering the text? Why all the conjecture? Why not just ask the composer? This is a treatise I'd hand back to the student for major rewriting.


4 out of 5 stars Worth Reading   November 9, 2006
 1 out of 4 found this review helpful

"How Sondheim Found his Sound" is a book full of very interesting information, although my reasoning for allocating only 4-stars is because I feel that more musical examples could have been used.
That having been said, it is a very thouroughly researched book, and I would recommend it to Sondheim fans, myself included.
One last note would be that having the vocal scores in question along side this book would allow a person to garner more of an understanding of the analyses (due to the general lack of musical examples).



5 out of 5 stars Great primer on Sondheim   October 8, 2005
 3 out of 7 found this review helpful

This is a great book on how Sondheim "found his sound." I thoroughly enjoyed reading about Sondheim's card system and it gave me greater insight into a person who knew Leonard Bernstein.


5 out of 5 stars Fascinating Look at the Creative Process   August 21, 2005
 9 out of 11 found this review helpful

Sir Isaac Newton once said: 'If I have accomplished anything, it is because I stood on the shoulders of giants.' Stephen Sondheim would probably say something similar.

He has acknowledged being influenced by classical music, Broadway, Tin Pan Alley, Hollywood and many more. In the end though, Sondheim's work has taken these together and produced something uniquely his own. The results speak for themselves: West Side Story, Gypsy, Sunday in the Park with George, Sweeney Todd, Into the Woods, Do I Hear a Waltz and the list goes on and on. In 2004 alone there was the first Broadway production of Assassins, A Funny Thing Happened on the Way to the Forum (London), The Frogs (Lincoln Center), Passion, Pacific Overtures.

This book though, is not a description of what he has done, it's an in depth analysis of the way his music came about. The author teaches music at Dartmouth. His analysis, aided by Sondheim himself talks not only about the origins of music, but the way Sondheim goes about developing a song. It's a fascinating look at the creative process.


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