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Mary Poppins, She Wrote: The Life of P. L. Travers

Mary Poppins, She Wrote: The Life of P. L. Travers
Manufacturer: Simon & Schuster
Category: EBooks

List Price: $17.99
Buy New: $9.99
You Save: $8.00 (44%)



Avg. Customer Rating: 4.0 out of 5 stars 2 reviews
Sales Rank: 45988

Format: Kindle Book
Media: Kindle Edition
Number Of Items: 1
Pages: 416

Dewey Decimal Number: 823.912
ASIN: B000MGAU2U

Publication Date: November 23, 2006
Availability: Usually ships in 24 hours

Editorial Reviews:

Product Description

The story of Mary Poppins, the quintessentially English and utterly magical children's nanny, is remarkable enough. She flew into the lives of the unsuspecting Banks family in a children's book that was instantly hailed as a classic, then became a household name when Julie Andrews stepped into the starring role in Walt Disney's hugely successful and equally classic film. Now she is a Broadway sensation all over again.

But the story of Mary Poppins's creator, as this first biography reveals, is just as unexpected and remarkable. The fabulous English nanny was conceived by an Australian, Pamela Lyndon Travers, who in 1924 came to London from Sydney as a journalist. She became involved with theosophy and traveled in the literary circles of W. B. Yeats and T. S. Eliot. Most famously, she clashed with "the great convincer" Walt Disney over the adaptation of the Mary Poppins books into film.

Travers, whom Disney accused of vanity for "thinking you [Travers] know more about Mary Poppins than I do," was as tart and opinionated as Julie Andrews's big-screen Mary Poppins was cheery and porcelain beautiful. "You've got the nose for it," Travers candidly assessed the star. Yet it was a love of mysticism and magic that shaped P. L. Travers's life as well as the character of Mary Poppins. The clipped, strict and ultimately mysterious nanny was the conception of someone who remained thoroughly inscrutable and enigmatic to the end of her ninety-six years.

"Who is P. L. Travers?" the American press inquired of "this unknown Englishwoman" whose creation resulting in Hollywood gold had won her international fame. Valerie Lawson's illuminating biography, Mary Poppins, She Wrote, provides the first and only glimpse into the mind of a writer who fervently believed that "Everyday life is the miracle."




Customer Reviews:

4 out of 5 stars Some Light on and Elusive Personality   May 9, 2007
 1 out of 1 found this review helpful


Lawson provides some information on a fellow Australian, who despite protestations to the contrary, may have wanted someone to present a biography of her. Travers left notes and diaries but it appears to be information and not real knowledge. Her life was mirage, down to her name, national allegiance and way of relating to her mentors, adopted son and sponsor, Walt Disney and his staff.

The book tells the story as much as it can be told.



4 out of 5 stars STILL AN ENIGMA   October 17, 2006
 10 out of 10 found this review helpful

Valerie Lawson has done something P. L. Travers claimed she didn't want anyone to do: write her biography. It's a very good book. Travers discouraged personal questions in interviews, and preferred to discuss her work and, in later years, her philosophy of life -- the essence of experience as opposed to the mundane details of living. Lawson makes the case that if Travers had been serious about this she would have destroyed her papers -- which she decidedly did not do. Whatever her true feelings on the matter, this is a fascinating book, filled with insights into Travers' life and work, and with a respectable amount of attention to the work itself, especially the meanings and importance of the Mary Poppins books.

I think Lawson gives somewhat short shrift to Travers work with Parabola magazine, which is some of her most brilliant writing -- inspiring to thousands of her readers, and collected in the now out of print "What the Bee Knows." (Note to publishers: bring it back!) You may also find out more than you want to known about her endless toing and froing with Disney, and the ways in which the movie deal echoed through the last thirty years of her life.

But Lawson also gives the first comprehensive account of Travers' private life, her involvement AE and Gurdieff, her adoption of one twin, her son Camillus, and her early career as an actress. Her love affairs are touched on.

I'm not sure, in the end, if all the private matters, interesting as they may be, really add to our understanding of Travers' work, though Lawson makes some persuasive connections between the fantasy and the reality. Mary Poppins herself, the Great Exception, survives the biography with her mystery intact, and in spite of Lawson's sympathetic and thorough craftsmanship, so does Travers. For those of us lucky ones who count Travers as a touchstone in our lives, that's just fine. Questions without answers can often be more satisfying than the other kind.


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