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Mimesis and Theory: Essays on Literature and Criticism, 1953-2005 (Cultural Memory in the Present)

Mimesis and Theory: Essays on Literature and Criticism, 1953-2005 (Cultural Memory in the Present)
Author: Rene Girard
Creator: Robert Doran
Publisher: Stanford University Press
Category: Book

List Price: $50.00
Buy New: $40.00
You Save: $10.00 (20%)



New (15) Used (7) from $33.00

Sales Rank: 677231

Media: Hardcover
Number Of Items: 1
Pages: 344
Shipping Weight (lbs): 1.3
Dimensions (in): 9.1 x 6.1 x 1

ISBN: 0804755809
Dewey Decimal Number: 801.95
EAN: 9780804755801
ASIN: 0804755809

Publication Date: May 1, 2008
Availability: Usually ships in 24 hours

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Editorial Reviews:

Product Description
Mimesis and Theory brings together twenty of Rene Girard's uncollected essays on literature and literary theory, which, along with his classic, Deceit, Desire, and the Novel, have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"—a groundbreaking account of human interaction and of the genesis of cultural forms.

Arranged chronologically in order of publication, the essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard—Stendhal, Proust, and Dostoevsky—receive extended treatment. In addition, Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism.

Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays contained in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Thus Girard does not offer us a theory of literature but literature as theory.



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