The Haiku Handbook: How to Write, Share, and Teach Haiku | 
| Author: William J. Higginson
Publisher: Kodansha International
Category: Book
List Price: $14.00
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Avg. Customer Rating:  13 reviews
Sales Rank: 127657
Media: Paperback
Number Of Items: 1
Pages: 331
Shipping Weight (lbs): 0.8
Dimensions (in): 7 x 4.5 x 1.2
ISBN: 4770014309
Dewey Decimal Number: 808.1
EAN: 9784770014306
ASIN: 4770014309
Publication Date: March 15, 1992
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Product Description
The Haiku Handbook is the first book to give the reader everything needed to begin writing or teaching haiku. It presents haiku poets writing in English, Spanish, French, German, and five other languages on an equal footing with Japanese poets. Not only are the four great Japanese masters of the haiku represented (Basho, Buson, Issa, and Shiki) but also several major Western authors not commonly known to have written haiku.
The book presents a concise history of the Japanese haiku, including the dynamic changes throughout the twentieth century as the haiku has been adapted to suburban and industrial settings. Full chapters are offered on form, the seasons in haiku, and haiku craft, plus background on the Japanese poetic tradition, and the effect of translation on our understanding of haiku.
Other unique features are the lesson plans for both elementary and secondary school use; and lists of haiku publishers and magazines (in several languages). The Handbook concludes with a full reference section of haiku-related terms, bibliography, and a comprehensive season-word list to aid in understanding and appreciating Japanese haiku.
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| Customer Reviews: Read 8 more reviews...
Improve Writing and Thinking... June 14, 2008
I have a tendency to be too wordy in my writing, so to learn more focus and control, I have been studying (and writing) haiku. The Haiku Handbook has been an engaging resource for me in those efforts. Each of the book's five sections contains a wealth of ideas and information that both challenges and inspires:
Part One: Haiku Old and New [A great introduction to the experience of haiku and to Japanese Masters. The "Why Haiku" is helpful in clarifying one's purpose for writing such brief poetry.]
Part Two: The Art of Haiku [Natural themes, the form and craft of haiku; this is the section that I like best, and I repeatedly refer back to these pages. I especially enjoy how the author discusses the difference in Japanese and English languages.]
Part Three: Teaching Haiku [How to teach haiku writing to children, lesson plan included]
Part Four: Before and Beyond Haiku [Haiku and its uses]
Reference Section [With Season-Word List & Glossary]
Overall, this is a worthy product for anyone who wishes to delve into haiku more deeply than the introduction that most Westerners receive.
Fantastic January 20, 2008
1 out of 1 found this review helpful
I love this book, as a matter of fact I love it so much I purchased two. One for my desk and one for my purse. Great info for Haiku writers.
the perfect book on haiku May 21, 2006
1 out of 8 found this review helpful
The perfect volume for fans and writers of haiku. Indispensable.
Great Writing May 11, 2006
5 out of 5 found this review helpful
There are very few books on how to write in any idiom. This book explains the hows and whys of haiku. What it takes to get started and to continue to write. I have found this useful in my writing that is not associated with haiku or poetry. This book is a lot of fun to read, and is not stuffy and boring as text books are. It will serve all writers well.
This One's A Must Have February 10, 2005
10 out of 10 found this review helpful
Blyth's Haiku Seasons books and Higginson's guide to reading and writing "haiku" in English are two of the necessary books to begin to understand what haiku is all about. I have a difficult time with the idea that a tiny poem written in any of the Romance languages--esp. English-- could be called a "haiku," even though the author might include season words and even the 5/7/5 syllable count. I would much rather call them epigrams, because they simply cannot give you the effect of a Japanese haiku. Anyone who argues otherwise is simply fooling themselves, and you. Given all of that, however, Blyth and Higginson are good books to have on the shelf. Blyth, I believe, is the better writer/translator and his sense of chronology and history is stronger. In addition he gives hundreds of translated gems to admire from Basho, Issa, Buson, and others. He also doesn't try to convince you that haiku can be written in English. Higginson is the warmer writer and his generosity to the reader is apparent from the beginning, so practioners will find him perhaps more useful than Blyth in a practical sense. I disagree with Higginson's history of English language "haiku"--there are some important people he simply leaves out, but he more than makes up for the omissions in other chapters. Both writers impart an enthusiasm for the subject to their readers. If you're building a haiku library and would like a great start, Blyth's four volume set and Higginson's Haiku Handbook are the way to go.
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