Sula (Oprah's Book Club) | 
| Author: Toni Morrison Publisher: Knopf Category: Book
List Price: $24.95 Buy Used: $0.72 You Save: $24.23 (97%)
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Avg. Customer Rating: 129 reviews Sales Rank: 204794
Media: Hardcover Edition: Oprah Number Of Items: 1 Pages: 192 Shipping Weight (lbs): 0.8 Dimensions (in): 8.7 x 5.9 x 0.8
ISBN: 0375415351 Dewey Decimal Number: 813.54 EAN: 9780375415357 ASIN: 0375415351
Publication Date: April 5, 2002 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: With pride from Motor City. All books guaranteed. Best Service, best prices.
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Amazon.com In Sula, Toni Morrison, winner of the 1993 Nobel Prize for literature, tells the story of two women--friends since childhood, separated in young adulthood, and reunited as grown women. Nel Wright grows up to become a wife and mother, happy to remain in her hometown of Medallion, Ohio. Sula Peace leaves Medallion to experience college, men, and life in the big city, an exceptional choice for a black woman to make in the late 1920s. As girls, Nel and Sula are the best of friends, only children who find in each other a kindred spirit to share in each girl's loneliness and imagination. When they meet again as adults, it's clear that Nel has chosen a life of acceptance and accommodation, while Sula must fight to defend her seemingly unconventional choices and beliefs. But regardless of the physical and emotional distance that threatens this extraordinary friendship, the bond between the women remains unbreakable: "Her old friend had come home.... Sula, whose past she had lived through and with whom the present was a constant sharing of perceptions. Talking to Sula had always been a conversation with herself." Lyrical and gripping, Sula is an honest look at the power of friendship amid a backdrop of family, love, race, and the human condition. --Gisele Toueg
Product Description Toni Morrison's first novel, The Bluest Eye (1970), was acclaimed as the work of an important talent, written--as John Leonard said in The New York Times--in a prose "so precise, so faithful to speech and so charged with pain and wonder that the novel becomes poetry."
Sula has the same power, the same beauty.
At its center--a friendship between two women, a friendship whose intensity first sustains, then injures. Sula and Nel--both black, both smart, both poor, raised in a small Ohio town--meet when they are twelve, wishbone thin and dreaming of princes.
Through their girlhood years they share everything--perceptions, judgments, yearnings, secrets, even crime--until Sula gets out, out of the Bottom, the hilltop neighborhood where beneath the sporting life of the men hanging around the place in headrags and soft felt hats there hides a fierce resentment at failed crops, lost jobs, thieving insurance men, bug-ridden flour...at the invisible line that cannot be overstepped.
Sula leaps it and roams the cities of America for ten years. Then she returns to the town, to her friend. But Nel is a wife now, settled with her man and her three children. She belongs. She accommodates to the Bottom, where you avoid the hand of God by getting in it, by staying upright, helping out at church suppers, asking after folks--where you deal with evil by surviving it.
Not Sula. As willing to feel pain as to give pain, she can never accommodate. Nel can't understand her any more, and the others never did. Sula scares them. Mention her now, and they recall that she put her grandma in an old folks' home (the old lady who let a train take her leg for the insurance)...that a child drowned in the river years ago...that there was a plague of robins when she first returned...
In clear, dark, resonant language, Toni Morrison brilliantly evokes not only a bond between two lives, but the harsh, loveless, ultimately mad world in which that bond is destroyed, the world of the Bottom and its people, through forty years, up to the time of their bewildered realization that even more than they feared Sula, their pariah, they needed her.
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| Customer Reviews: Read 124 more reviews...
Powerful November 21, 2007 Wow. I read this story for a Womens Writers Literature class in college, and it was one of the most powerful stories I've read. The imagery she uses throughout the story really sticks with you...and it leaves you feeling almost empty. You actually feel the pain and suffering. I recommend it to everyone.
Fine work from a Nobel laureate September 2, 2007 This novel tells the story of two life-long friends. Sula comes from a line of independent women and grows up to have contempt for the small-town morality of the Bottom, where she grew up, as well as an abiding hostility toward her mother and grandmother. Nell embraces the life of the community and tries to pursue a conventional life as wife and mother. In their future awaits an act of betrayal that will force them to reevaluate each other and their own lives. Toni Morrison's beautiful prose brings to life the community of the Bottom.
Sorry Toni...just not a fan... July 29, 2007 I know it is almost blasphemous to put down Toni Morrison's writing in this day and age. I just did not like this book. I found all the character's despicable and for that reason could never connect with any of them. This is a short book but I had to really push myself to finish the book. This was my first try at Toni Morrison and probably will be my last. I see where her prose is a big hit but if the plot and characters are no good then no amount of prose can save a book. Sorry, no Toni Morrison fan here.
Very stupid book July 7, 2007 1 out of 4 found this review helpful
I do not like this book at all. I had to read it for my college English class. It was a complete waste of my time. I got in arguements with the teacher about whether Sula is a heroine or not. She cheated with her best friend's husband and destroyed their marriage. She watched her mother burning in fire without doing anything to save her life. Her mother died of a severe burn. Sula is a very contemtible character to me. In addition, the language of this novel is very crude and uninnovative. For example, the author used descriptions such as "Christmas came down like a dull axe, too dull to cut through but too shabby to ignore." In the end of the book, Sula died in a hospital, a very pathetic death. No one came to see her except her best friend, whom she had betrayed before. I think books with stories like this should not be celebrated. Sula as the main character lacks moral standards and principles. I just could not believe that it has won the Pulitzer Prize. Please please please do not read it!!!
Hallucinatory June 15, 2007 3 out of 3 found this review helpful
There are good storytellers,there are wannabies and there are real artists.Toni Morrison belongs to later category,truly gifted writter whose poetic expressions recalls fairy tale world of Gabriel Garcia Marquez (but just vaguely,she is very much her own woman and has nobody even approaching her league) and who knows how to create atmosphere full of sensuality,fear and hallucinations.Something in Morrison writting directly continues ancient line of folk tales but of course with a twist - she tells her stories from afro-american perspective - also notable is the way she weaves her characters into rich tapestry just to leave some threads in the air.Maybe this is the reason why I rate this otherwise excellent novel four out of five stars,since some unforgettable characters are unexplained,just touched lightly and disposed without a fuss just as we start to like them.Almost like Morrison prefers nature to her characters,the title one being black famme fatale,sort of Shug Avery but ultimately unexplained or beter said,without motives.All of her novels share this tendency and its easier to love Morrison because of her wonderful style than because of the stories themselves,often left maddeningly unexplained.As for the title of this novel,any of the characters here would have been contender to this book title since they all leave strong mark and Sula is just one of the many pictoresque faces,the way I see it,the friendship between two women just a small part of the story but not a main one.And I have to remark on squirmishness of some of reviewers here who find the novel "graphic" - maybe its my european background,but we found nothing unusual about honest writting about sex and death,they are both part of life experience and its testament to Morrison art that it doesnt sound contrived or forced,in fact she does it with such ease that I wasnt even aware about "graphic" parts until I read comments here.Reccomended.
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