Love: A Novel | 
| Author: Toni Morrison Publisher: Vintage Category: Book
List Price: $13.00 Buy Used: $1.00 You Save: $12.00 (92%)
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Avg. Customer Rating: 93 reviews Sales Rank: 24516
Media: Paperback Number Of Items: 1 Pages: 224 Shipping Weight (lbs): 0.5 Dimensions (in): 7.9 x 5.2 x 0.6
ISBN: 1400078474 Dewey Decimal Number: 813.54 EAN: 9781400078479 ASIN: 1400078474
Publication Date: January 4, 2005 Availability: Usually ships in 1-2 business days Condition: First 25 pages have wrinkling rest of book is good.
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Amazon.com The first page of Toni Morrison's novel Love is a soft introduction to a narrator who pulls you in with her version of a tale of the ocean-side community of Up Beach, a once popular ocean resort. Morrison introduces an enclave of people who react to one man--Bill Cosey--and to each other as they tell of his affect on generations of characters living in the seaside community. One clear truth here, told time and again, is how folks love and hate each other and the myriad ways it's manifested; these versions of humanity are seen in almost every line. Monsters and ghosts creep into young girls' dreams and around corners and then return to staid ladies' lives as they age and remember friendships and cold battles. Men and women--Heed, Romen, Junior, Christine, Celestial, and the rest of Morrison's cast--cry and sing out their weaknesses and strengths in rotating perspectives. Sandler, a Cosey employee, is a brilliant agent of Morrison's descriptions of human behavior, "Then, in a sudden shift of subject that children and heavy drinkers enjoy, 'My son, Billy was about your age. When he died, I mean.'" And Romen is allowed to play hero by saving a young girl from a brutal gang rape, while at the same time, he battles disgust like no superhuman would be caught dead feeling. Though slim in pages, Morrison constructs Love with a precision and elegance that shows her characters' flaws and fears with brutal accuracy. Love may be less complex than others in the grand Morrison oeuvre, but not because Morrison performs literary hand-holding. Readers will experience in this smooth, sharp-eyed gem another instance of the Toni Morrison craftsmanship: she enters your mind, hangs a tale or two there, and leaves just as quietly as she came. --E. Brooke Gilbert
Product Description Nobel Prize laureate Toni Morrison’s spellbinding new novel is a Faulknerian symphony of passion and hatred, power and perversity, color and class that spans three generations of black women in a fading beach town.
In life, Bill Cosey enjoyed the affections of many women, who would do almost anything to gain his favor. In death his hold on them may be even stronger. Wife, daughter, granddaughter, employee, mistress: As Morrison’s protagonists stake their furious claim on Cosey’s memory and estate, using everything from intrigue to outright violence, she creates a work that is shrewd, funny, erotic, and heartwrenching.
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From the internationally acclaimed Nobel laureate comes a richly conceived novel that illuminates the full spectrum of desire. May, Christine, Heed, Junior, Vida—even L: all women obsessed by Bill Cosey. More than the wealthy owner of the famous Cosey Hotel and Resort, he shapes their yearnings for father, husband, lover, guardian, friend, yearnings that dominate the lives of these women long after his death. Yet while he is both the void in, and the center of, their stories, he himself is driven by secret forces—a troubled past and a spellbinding woman named Celestial. This audacious vision of the nature of love—its appetite, its sublime possession, its dread—is rich in characters and striking scenes, and in its profound understanding of how alive the past can be. Love is a major addition to the canon of one of the world's literary masters. "This is coast country, humid and God fearing, where female recklessness runs too deep for short shorts or thongs or cameras. But then or now, decent underwear or none, wild women never could hide their innocence—a kind of pitty-kitty hopefulness that their prince was on his way. Especially the tough ones with their box cutters and dirty language, or the glossy ones with two-seated cars and a pocketbook full of dope. Even the ones who wear scars like Presidential medals and stockings rolled at their ankles can't hide the sugar-child, the winsome baby girl curled up somewhere inside, between the ribs, say, or under the heart." —from Love
"It's a dense, dark star of a novel, seemingly eccentric, secretly shapely, and with Morrison writing at the top of her game." DAVID GATES, NEWSWEEK "Haunting. In lyrical flashbacks, Morrison slowly, teasingly reveals the glories and horrors of the past. Morrison has crafted a gorgeous, stately novel." PUBLISHERS WEEKLY "Love is a profound novel. As a vivid painter of human emotions, Morrison is without peer, her impressions rendered in an exquisitely metaphoric but comfortably open style." BRAD HOOPER, BOOKLIST (STARRED AND BOXED REVIEW) "A gorgeous deployment of enigmatic flashbacks, Love is an elegantly shaped epic of infatuation, enslavement, and liberation: a rich and heartening return to Nobel-worthy form." KIRKUS REVIVEWS (STARRED REVIEW) "Love seduces with Toni Morrison's signature lush prose and colorfully complex, textured scenes of human longing, suffering, and loss. She long ago claimed a place at the apex of American letters; her latest outing adds another darkly sparkling layer to that literary luster." ELLE (US)
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| Customer Reviews: Read 88 more reviews...
Papa's Dead, Who's Got The Will? August 18, 2007 2 out of 3 found this review helpful
That's about all I could get from this tedious story. I just could not follow it, could not understand parts of it, particularly how Junior fit into the story. I have an idea, but I could be wrong. Thank goodness Morrison spelled out the relationship between Heed and Christine or I'd still be lost. I will say that Morrison has a beatiful writing style. The way she puts words on a page is really incredible, but the way this story evolved just left me confused.
Spellbinding -- an Emotional Rollercoaster Ride July 15, 2007 5 out of 5 found this review helpful
"Love" is the first book I've read by Nobel Prize-winning author Toni Morrison. I was totally captivated and mesmerized by the emotionally electrifying beauty of her prose and the manifest reality of her characters. The book was fascinating on first reading, but the style in which the story unfolds--from first person to third person, from past to present, from several characters' differing points of view--left me confused at the end. It took me a second reading in order to put all the pieces together and finally understand and appreciate the sumptuous complexity of this tale. I understand this is typical of Morrison's style.
Reading Morrison is an engaging, delightful challenge--figuring out the puzzle is half the fun. Now, I am motivated to read all her works, but I don't plan to do this one after another. With this author, I think I would rather savor each book with a year or more in between. Every time I read one of Morrison's books, I want to be captivated, mesmerized, and fall in love with her prose all over again.
If I straightforwardly tell you the story of "Love" (like many of the reviewers here), I will ruin the pleasure of your discovering for yourself how the pieces fit together. I will say no more than that it is an intertwining story of six women, three men, and love turned upside-down. There is a lot of lust, anger, hatred, jealousy, rage, envy, self-loathing, and wisdom mixed up in this tale. Emotions erupt off the page; what causes these high emotions from the differing perspectives of each character is part of what makes the puzzle so thought-provoking and enjoyable to figure out. Throughout the text we see the same significant events happening from the varying viewpoints of the different players involved. In doing so, we learn to understand and forgive--not only the human frailty in each character, but also the human frailty in ourselves.
I highly recommend this book, but come prepared for a rollercoaster ride through some difficult and awe-inspiring emotional territory.
Poetic but flawed June 3, 2007 2 out of 4 found this review helpful
I haven't read much Toni Morrison, so I'm sure many people will disagree with me, but this book has several flaws that distract from the story telling. It reads like a good solid, southern story, with plenty of secerts and interesting tales. However, Morrison seems too full of herself and at times writes in what I consider a "false" voice. That is, in a way that seems forced and expected of her. Her characters are different and their relationships complex, which makes the uncovering of their truths fantastic. She pushes too hard, though, to make things complex, shocking or unique. I also had a really hard time with the idea that she was setting the current day parts of the novel in the 1990s. I think this is a good summer read. But would make a FANTASTIC movie.
Confused by Morrison, AGAIN April 16, 2007 4 out of 8 found this review helpful
I've been reading Toni Morrison's books for 15 years, since she was first a requirement in a modern literature class. I have to say that her last two books, Paradise and Love, have been huge disappointments. I understood why I found Paradise at a yard sale/ tag sale and I think Love may have the same fate I rarely put down a book and decide not to read it but I have with these two Morrison novels(although I will give it one more chance before removing it from my collection). I'm trying to find the wonderful connections that the first reviewers found but have to say I simply have come away feeling confused by the narratives, wearily trying to make sense of the plot on its intricate path to nowhere, following the action that comes in paragraphs that are too long and through words that almost seem to try too hard to be wonderful. I would prefer a narrative that was easy to follow than one that tries to lose me in wordiness. It's becoming more and more difficult to find enjoyment in this book without finding it a chore to figure it all out. I suppose I need my college lit. teacher to help me to follow and figure it all out but what fun is that? I wish that I could find the poetic genius of Morrison's earlier writings and not be continually disappointed in new publishings. I should also mention that I am an English teacher now and would never find myself trying to assign this book to students at any level. I would have to lead them through it and what fun is that?
All You Need is Love? December 10, 2006 2 out of 2 found this review helpful
I'm sure that no one tops Ms. Morrison in her depictions of the lives of African-Americans. As a non-African-American, I certainly learn something about that culture from every one of Morrison's novels. "Love" addresses that concept in the lives of African-Americans strictly within their own culture, but in seemingly every imaginable (and some unlikely to outsider--primarily the marriage of a 52-year old man and an 11-year old girl) possibility. For the most part, the story revolves around a variety of women's attempts to deal with the life and legacy of an irresistable man, and how their "love" relationships for him, as wife, daughter and granddaughter, affect their relationships with each other. I found myself rooting for them to work it out, while knowing full well that there would be mixed results at best. Thrown into the mix are a contemporary senior couple and their teenage grandson, and a young survivor of the youth correction system who befriends the grandson and then some in a more animalistic depiction of love. Morrison's elliptical style--never holding to chronology, and telling some of the story through the eyes of a shadowy cook figure known only as "L", makes the going a little tough, but like an impressionist's painting, and like most of Morrison's novels, "Love" has its greatest impact when considered from a distance. That said, the book still brims with Morrison's beautiful imagery and insight on a detailed level. Morrison fans won't be disappointed. Those new to Morrison might do better starting with "Sula" or "The Bluest Eye" as those novels, as I remember them, were more chronological and straightforward.
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