Amazon.com "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.
Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber
Product Description
A headstrong young woman and her aristocratic suitor must overcome their respective impediments to a happy ending — his pride must be humbled and her prejudice dissolved. The consummate artistry of the author transforms this effervescent tale of a rural romance into a witty, shrewdly observed satire of English country life.
Download Description Jane Austen's perfect comedy of manners--one of the most popular novels of all time--features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. "Pride and Prejudice seems as vital today as ever," writes Anna Quindlen in her introduction to this Modern Library edition. "It is a pure joy to read." Eudora Welty agrees: "The gaiety is unextinguished, the irony has kept its bite, the reasoning is still sweet, the sparkle undiminished. [It is] irresistible and as nearly flawless as any fiction could be."
Modern thinkingJuly 22, 2008 One can relate in so many ways and there are certain parts that I like to reread. The recent film productions have been excellent also.A nice old fashioned romance is the perfect escape on these long summer nights. Nice potential Kindle product if not already.
Who am I to critique such a classic work by Jane Austen?July 14, 2008 1 out of 1 found this review helpful
Not someone properly suited for such a task, I can tell you that. What I can do, however, is give an honest and heartfelt account of what I thought of Jane Austen's 'PRIDE & PREJUDICE'. I have always wanted to read some of the classics but have never up until now dug up the courage to actually do so. I thought if I was going to start reading a classic novel Jane Austen would probably be a good author to start with and what better choice was there than her stand out 'PRIDE & PREJUDICE' ? I was pleased to find out that I was absolutely right. 'PRIDE & PREJUDICE' has to be one of the most romantic novels that I have ever read. The romance between Elizabeth Bennet and Mr. Darcy literally made me swoon quite often (and I don't swoon!). Romance mixed with a little bit of drama and Austen's most descriptive prose made it impossible for me to put this book down. Now I see why 'PRIDE & PREJUDICE' is on so many people's favorites list because now it is most certainly on mine.
The text comes aliveJuly 12, 2008 This is the third version of Pride & Prejudice I have read, and by a margin the best. The language is preserved to the period in which it was written (Austen's original hand), and the style feels more 'alive.' It is difficult to explain, but as anyone who has read Pevear & Volokhonsky's translation of Anna Karenina and other books will say: The language is richer and the text fresher than previous versions. A similar assessment holds for this version of P & P.
this book rocks!!July 5, 2008 No need for lots of words here: this is one the best books ever written. Each re-reading highlights Austen's genius, as new gems are discovered throughout in various forms. 'nuff said.
What about the vocal delivery of this CD?July 4, 2008 Everybody talks about the book. No one talks about the reading of this book by the reader, Irene Sutcliffe. I have not listened to the CD, but before I buy this CD, I want to see some review of the vocal delivery. Is her reading enticing, annoying, off-putting, etc?