52 McGs.: The Best Obituaries from Legendary New York Times Reporter Robert McG. Thomas

The New York Times received countless letters over the years from readers moved to tears or laughter by a McG. Eschewing traditionally famous subjects, Thomas favored unsung heroes, eccentrics, and underachievers, including: Edward Lowe, the inventor of Kitty Litter ("Cat Owner's Best Friend"); Angelo Zuccotti, the bouncer at El Morocco ("Artist of the Velvet Rope"); and Kay Halle, a glamorous Cleveland department store heiress who received sixty-four marriage proposals ("An Intimate of Century's Giants"). In one of his classic obituaries, Thomas described Anton Rosenberg as a "storied sometime artist and occasional musician who embodied the Greenwich Village hipster ideal of 1950's cool to such a laid-back degree and with such determined detachment that he never amounted to much of anything." Thomas captured life's ironies and defining moments with elegance and a gift for making a sentence sing. He had an uncanny sense of the passion and personality that make each life unique, and the ability, as Joseph Epstein wrote, to "look beyond the facts and the rigid formula of the obit to touch on a deeper truth."

Compiled by Chris Calhoun, one of Thomas's most dedicated readers, and with a fittingly sharp introduction from acclaimed novelist and critic Thomas Mallon, 52 McGs. will win legions of new fans to the masterful writer who transformed the obituary into an art form.

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Among his devoted fans, his pieces were known simply as McGs. With a "genius for illuminating that sometimes ephemeral apogee in people's lives when they prove capable of generating a brightly burning spark" (Columbia Journalism Review), Robert McG. Thomas Jr. commemorated fascinating, unconventional lives with signature style and wit. The New York Times received countless letters over the years from readers moved to tears or laughter by a McG. Eschewing traditionally famous subjects, Thomas favored unsung heroes, eccentrics, and underachievers, including: Edward Lowe, the inventor of Kitty Litter ("Cat Owner's Best Friend"); Angelo Zuccotti, the bouncer at El Morocco ("Artist of the Velvet Rope"); and Kay Halle, a glamorous Cleveland department store heiress who received sixty-four marriage proposals ("An Intimate of Century's Giants"). In one of his classic obituaries, Thomas described Anton Rosenberg as a "storied sometime artist and occasional musician who embodied the Greenwich Village hipster ideal of 1950's cool to such a laid-back degree and with such determined detachment that he never amounted to much of anything." Thomas captured life's ironies and defining moments with elegance and a gift for making a sentence sing. He had an uncanny sense of the passion and personality that make each life unique, and the ability, as Joseph Epstein wrote, to "look beyond the facts and the rigid formula of the obit to touch on a deeper truth." Compiled by Chris Calhoun, one of Thomas's most dedicated readers, and with a fittingly sharp introduction from acclaimed novelist and critic Thomas Mallon, 52 McGs. will win legions of new fans to the masterful writer who transformed the obituary into an art form.

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The Last Word   March 2, 2002
 4 out of 4 found this review helpful

Regular readers of The New York Times will have noticed that while the paper's style has a certain consistently, some of its writers stand out anyway. Robert McG. Thomas was one of those writers. He made his mark not with flash, but with grace, and he did it in the most unlikely place of all: the obituary pages. Thomas (who died in early 2000) had an eye for detail, and an amazing touch in telling not just a life story, but the story behind it. Many obit junkies picked up on and actively sought Thomas's obits between 1995 and 1999; one was Chris Calhoun, who has pulled together this excellent collection of 52 of McG's finest offerings. They aren't stories of the most famous figures who passed on during his tenure. Quite the opposite, these are often people you hadn't heard of, but who, thanks to Thomas's style, won't want to forget. He could be serious, and he could be funny. He's as good writing about the South Vietnamese officer who famously executed a Viet Cong prisoner on camera as he is with "The Goat Man." He's as insightful on the woman who helped create soap operas as he is on the Greenwich Village icon who created nothing but a hipster reputation. Every miniature profile here entertains and informs, as the cliche goes. This is a great little collection; one could only wish for more.