Oracle Bones: A Journey Through Time in China (P.S.) | 
| Author: Peter Hessler
Publisher: Harper Perennial
Category: Book
List Price: $15.95
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Avg. Customer Rating:  18 reviews
Sales Rank: 2343
Media: Paperback
Number Of Items: 1
Pages: 528
Shipping Weight (lbs): 0.8
Dimensions (in): 8 x 5.4 x 1.2
ISBN: 0060826592
Dewey Decimal Number: 951
EAN: 9780060826598
ASIN: 0060826592
Publication Date: May 1, 2007
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Product Description
A century ago, outsiders saw China as a place where nothing ever changes. Today the country has become one of the most dynamic regions on earth. In Oracle Bones, Peter Hessler explores the human side of China's transformation, viewing modern-day China and its growing links to the Western world through the lives of a handful of ordinary people. In a narrative that gracefully moves between the ancient and the present, the East and the West, Hessler captures the soul of a country that is undergoing a momentous change before our eyes.
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| Customer Reviews: Read 13 more reviews...
 Love it May 17, 2008
1 out of 2 found this review helpful
I enjoyed the book very much because author use his point of view to describe his journey through his students, friends and travel through out the China abut the feeling toward past, today and the future of China.
WELL WRITTEN, REWARDING READ! April 30, 2008
3 out of 3 found this review helpful
An interesting story that will leave you happy to have read it, Oracle Bones is worth the time.
A country is best learned about by living with the people; something the author has done. Furthermore, he is able to relate the feeling of China in a way that is accessible and entertaining. Thankfully without cliche. . . for example, never does Hessler mention the "raising importance of China on the world stage." By avoiding the subject he toys with a tension that is best only alluded to: we as westerners are aware of China on the horizon; his job as a journalist is simply to offer well vetted evidence. All of this sets a stage for an understated humor.
The idiosyncrasies of particular regions in China (as in any country), are illustrated by slang. For example, one Sichuanese student named Willy, who sought his fortune in Wenzhou, writes to Hessler of his "backward and yashua [toothbrush] hometown--Sichuan". Throughout the story is the word "jiade". Meaning pirated, jiade becomes a catch-phrase and an inside joke that we're in on.
A method employed throughout the book is that of a parallel narrative: Artifacts A through Z. These are loosely interconnected chapters that pepper the book's 458 pages. They function as historical vignettes; Hessler here has an opportunity to contrast his travel documentary within the context of ancient Chinese history. In Artifact A, we are introduced to the Oracle Bones of the book's title. Oracle Bones are the oldest surviving Chinese writing. Named in Chinese "jiaguwen", they were ideas carved onto tortoise shells and cow scapulas. Cryptic passages such as "The king goes to the hunting field; the whole day he will not encounter great wind" or "We ritually report the king's sick eyes to Grandfather Ding" were, depending how they broke apart, read as an oracle. "The irony of Chinese archeology" Hessler points out, "is that the earliest known writings attempt to tell the future. . . . From the Shang, the voice of the turtle speaks." Throughout the different Artifact chapters the author demonstrates his diverse and growing knowledge of archeological sites, past dynasties, and oracle bone era written characters compared to their classical and contemporary counterparts.
The plot shifts toward a more investigative thriller. Mr. Hessler follows a thread of a story for The New Yorker: did historian Chen Mengjia commit suicide and, if so, why? Mengjia had travelled to the Unites States in the 1930s. There he documented ancient Chinese bronze artworks that had wound up in private hands. The Artifact chapters also begin to follow this theme. Part of the intrigue in this subplot lies in the how so many of the older generation in China were persecuted and threatened under Mao. Mengjia's book was published later by the communists. Only they had a different idea for the title: Our Country's Shang and Zhou Bronzes Looted by American Imperialists. As the author unravels what happened, he must, upon interviewing elder intellectuals, word his questions carefully so as not to offend. This story dovetails nicely into Chairman Mao's misguided-- and later aborted-- attempt to simplify the written Chinese character. We find ourselves uncovering a linguistic mystery.
In a story like this, being a journalist is a perfect job to keep things interesting. Whether we're in a border town across the river from North Korea for a National Geographic piece, or in a threatened hutong neighborhood in Beijing (where he finds an apartment-- and the next story) he moves the tale along. We witness the sad fate of Falun Gong members as China "cleans up" for a State Visit in Beijing. Later, the attacks of September 11th allow us a peek into the expatriate world as a news starved Hessler buys jiade videos to see more of what happened in New York. All along we are aware of the tremendous rate of growth in the country. The locals say, "we live in chai nar" (meaning "demolish where?").
Reading Oracle Bones is a learning experience. The placement of the Artifact chapters is an enjoyable way to break up the story, and there are many facts woven into the book by way of this lexicon. Having myself lived outside the States for several years, I could identify with some of the difficulties Peter runs into. As the Olympic games approach, and with China in the news, I have been checking the bylines of my New Yorker magazines for Mr. Hessler's name, to learn what he has been up to. I enjoyed the book and recommend it.
Multifaceted perspective on the China that we face today April 21, 2008
1 out of 1 found this review helpful
Hessler uses his own experiences, combined with detailed experiences gathered from native friends throughout the important regions of China to describe their lifestyle and situations in regards to growing up and making their own lives in "The New China." As Hessler describes the current status of economic regions and interpersonal relationships, he also weaves in ancient and recent history creating a resource for understanding why the Chinese react and function as they do.
A compelling read. I speak Chinese, my wife doesn't, and we have both found Hessler's books intriguing and understandable. "River Town" is also excellent. Hessler allows you to remember how it feels to be in that situation--even if you never have been.
The Warp & Weft of Chinese and Uighur Lives April 7, 2008
6 out of 6 found this review helpful
It's refreshing to find a book on China by a journalist with some knowledge of and, even better, an interest in really learning about sinological matters. Since the end of the Cultural Revolution, Western journalists have written their books on China: at first largely from the perspective of being the rare Westerner in a newly opened up China, and then over time with increasing emphasis on his or her observations of China's political and economic situation--invariably in the context of the reporter's personal experiences in China.
ORACLE BONES, too, is personal, not that we get to know Peter Hessler very well (though a "Postscript" titled "Meet Peter Hessler" presents a short autobiographical sketch), but in the sense that we experience China through his "I"s. Unlike many earlier books by journalists, though, there isn't much focus on leadership politics here; instead the warp of the fabric of this book is perspectives on Chinese (and Uighur) culture and history.
If that is the warp, the weft principally follows the story of Chen Mengjia, a renowned scholar of "oracle bones" (scapulae and tortoise shells inscribed with writing and used in divination practices a few thousand years ago). Chen Mengjia was branded a rightist in the late 1950s, and he subsequently committed suicide at the onset of the Cultural Revolution. In the course of Hessler's journeys--not all related to Chen--the writer learns pieces of Chen's story (only a little of which is consistent) and a whole lot more about 20th century Chinese and Western sinological history. It's refreshing to find Hessler's views so well informed; you'll find nothing here, for instance, about the so-called Chinese "ideograph" that sullies so many books that refer to the Chinese writing system.
Hessler, now a Beijing correspondent for The New Yorker magazine, was once a Peace Corps volunteer English teacher in China, an experience that he describes in his earlier book, RIVER TOWN. He devotes a good part of this book weaving in descriptions of his encounters with his former students and of their post-education lives. Hessler also discusses the life of a Uighur that he befriends in China, and who subsequently travels to the U.S. and successfully seeks asylum. In these stories, Hessler doesn't flinch from the terrible realities of Communist China, and they are often brutal; at the same time, though, the U.S. (specifically, Washington, D.C.) doesn't get off easily in the depiction of the everyday difficulties that confront Hessler's Uighur friend, including racism and robbery.
Hessler's style gives the appearance of effortlessness when you just know how much work must have gone into the book. His keen observations often express subtle truths, such as when he comments, "There is always something sad about furniture in a museum" (p. 384) and his empathy conveys genuineness, e.g., when he confronts a scholar with a personal criticism of Chen Mengjia that the now old man felt forced to write when he was a youth (p. 390). You want to continue hanging out with Hessler and see what more he learns. It's a disappointment then when, even at some 450-plus pages, the book quietly ends.
China Today March 28, 2008
4 out of 4 found this review helpful
Throughout the 90s I traveled to China a lot, as part of several research projects through my university. Though I have been hampered by not speaking the language (I started Chinese lessons three different times), I had wonderful hosts who introduced me to a wide range of things going on. I spent 6 weeks in 1993 teaching at Peking University, and was there when the disappointing news about the Olympics were announced. I was there in 1999 when we bombed the Chinese embassy.
Reading Hessler's book took me back to all these times, but gave me also so much more. He has done a fabulous job of exploring many different scenes and characters in the China of the 90s. I did not get the chance to spend time in the countryside, so I really enjoyed those parts of the book. Also, his ongoing stories of former students or of the Uighur Polat give great insight into the flow of events in this period. Going back to the 50s and 60s, with the stories of people's experiences in the cataclysmic events of the Mao era of China's recent history remind me of the similar stories I heard from my friends who had also lived through these periods.
I love the continuous story of the Oracle Bones themselves, and all the people, past and present, who were tied up in the stories of their discovery, interpretation, and preservation. And the late section of the book on the written language, and the attempts at change, was particularly interesting.
I am now motivated to go read Hessler's earlier book, River Town. He is clearly an author with a sensitive eye to what's been going on. I hope he as more books in mind.
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