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King Hu's A Touch of Zen (The New Hong Kong Cinema)

King Hu's A Touch of Zen (The New Hong Kong Cinema)
Author: Stephen Teo
Publisher: Hong Kong University Press
Category: Book

List Price: $17.95
Buy New: $12.21
You Save: $5.74 (32%)



New (5) Used (5) from $12.21

Sales Rank: 748163

Media: Paperback
Number Of Items: 1
Pages: 165
Shipping Weight (lbs): 0.6
Dimensions (in): 7.2 x 5.6 x 0.7

ISBN: 9622098150
Dewey Decimal Number: 791.4372
EAN: 9789622098152
ASIN: 9622098150

Publication Date: February 15, 2007
Shipping: Eligible for Super Saver Shipping
Promotion: Save $10.00 when you spend $50.00 or more on qualifying items offered by Amazon.com. Enter code BMLSAVES at checkout. Terms and Conditions
Availability: In stock soon. Order now to get in line. First come, first served.

Similar Items:

  • Director in Action: Johnnie To and the Hong Kong Action Film
  • Kung Fu Classic - Dragon Gate Inn
  • Andrew Lau and Alan Mak's Infernal Affairs - The Trilogy (New Hong Kong Cinema)
  • Wong Kar-Wai's Ashes of Time (The New Hong Kong Cinema Series)
  • The One-Armed Swordsman

Editorial Reviews:

Product Description
A Touch of Zen is one of the first Chinese-language films to gain recognition in an international film festival (the Grand Prix in the 1975 Cannes Film Festival), creating the generic mould for the crossover success of Ang Lee's Crouching Tiger Hidden Dragon in 2000. The film has achieved a cult status over the years but little has been written about it. This first book-length study of the classic martial arts film therefore redresses its critical neglect, and explores its multi-leveled dimensions and mysteries. One of the central features of the film is the enigmatic knight-lady (xia nue) whose quest for revenge leads her to cross paths with a poor scholar whose interest in military strategy seals their alliance. Teo discusses the psychological manifestations and implications of this relationship and concludes that the film's continuing relevance lies in its portrait of sexuality and the feminist desires of the heroine. Teo also analyzes the film's form as an action piece and the director's preoccupation with Zen as a creative inspiration and as a subject in its own right. As such, he argues that the film is a highly unconventional and idiosyncratic work which attempts to transcend its own genre and reach the heights of universal transcendence. Teo grounds his study in both Western and Chinese literary sources, providing a broad and comprehensive treatise based on the film's narrative concepts and symbols.

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