Customer Reviews: Read 9 more reviews...
 Rebus in London April 14, 2007
Edinburgh Detective Chief Inspector John Rebus finds himself posted to London to aid the local authorities who are investigating the work of a serial killer, known as the Wolfman, who seems to be one step ahead of the coppers. Once in London, Rebus learns he has ben brought to the big city because he is supposed to be some sort of expert on mass murderers.
Rebus' intrinsic antiauthoritarianism and his intuitive investigative style puts his career in jeopardy as he pairs with George Flight, a by the book detective, who has to cover for his Scottish counterpart at every turn of the plot. The collaboration between these investigators provides much of the tension as they struggle to bring a killer to justice. At the same time Rebus is forced to come to grips with middle-aged and a body that has lost a bit of the edge that he enjoyed as a young SAS paratrooper. His daughter Samantha, now 16, lives in London with his ex-wife and he is appalled with her current boyfriend, a slightly older and testosterone burdened motorcycle courier.
Ian Rankin is one of the real masters of the mystery genre. Series characters require real work and a deft touch to keep them fresh and interesting. John Rebus, like Harry Bosch and Travis McGee, manages to grow in each novel in a way that is respectful to the past works and yet revealing in some new way.
Tooth and Nail is more than a good read. It is a tale of policemen under the microscope of publicity when murders most foul terrorize a big city.
 Rebus: Ambition AND ability January 24, 2007
1 out of 1 found this review helpful
Tooth and Nail finds Rebus helping out the London police hunt down the serial killer, Wolfman. The novel is filled with a lot of local London color, including a car chase down St. Martin's Lane and around Nelson's Column. I enjoyed this book immensely until the last 40 pages, where killer is caught based on an unsubstantiated "hunch".
Being from NYC I found Rebus's take on fast London city life very amusing. Several pages are devoted to Rebus contemplating the utter inhumanity of the Tube! In fact, the only positive comments come from Rebus's would-be partner, George Flight, although Rebus mocks his attitude: "London is bigger, better, rougher, tougher and more important than anywhere else." It's funny that we would want other people to think our city is rough and tough, because that implies that we are as well, when we are actually victims. Fortunately, from the novel I learned a new way to cope: just chant FYTP.
Rankin is a master at capturing the reader's attention. Clues and red herrings fly like nobody's business. Just keep in mind that this is crime fiction not mystery, that is, don't expect the clues to pan out. The dialog is amazingly realistic, witty, and edgy. Ultimately, Rebus's humanity (he describes himself as having "more ambition than talent") and musings on the human condition are the reason why I find this novel, and Rankin's others, so compelling.
An excellent read March 30, 2006
This is Rankin at his best. Buy it, enjoy the thriller and then buy the next one. It seems that once you've started reading Rebus, you just can't get enough!
Rebus Versus The Wolfman April 14, 2005
17 out of 17 found this review helpful
I'm baaaaaack!
After reading the first Rebus novel (Knots and Crosses), I knew I'd continue to read the rest of Ian Rankin's excellent crime fiction stories.
This is actually the third novel in the Inspector Rebus series, and author Ian Rankin's prose continues to astound me. He masterfully weaves a tapestry of plot, character, and location throughout nearly every page (Example from the prologue: `She drives home the knife. The moment, she knows from past experience, is a very intimate one. Her hand is gripped around the knife's cool handle and the thrust takes the blade into the throat up to the hilt until her hand meets the throat itself. Flesh upon flesh. Jacket first, or woollen jersey, cotton shirt or T-shirt, then flesh. Now rent. The knife is writhing, like an animal sniffing. Warm blood covering hilt and hand. (The other hand covers the mouth, stifling screams.) The moment is complete. A meeting. Touching. The body hot, gaping, warm with blood. Seething inside, as insides become outsides. Boiling. The moment is coming to an end all too soon.')
But this time we're no longer in Edinburgh. No? No. Inspector Rebus is sent to London (Oh the pain!) to try and help catch a serial killer whom the local coppers can't pin down. They've nick-named the murderer "The Wolfman", because he bites the victims on the stomach after he kills them. But why send Rebus? Well, in Knots and Crosses, he helped find another serial killer in Edinburgh, and so George Flight (a local London CID guy) requested Scotland's "expert". Rebus sees himself as anything BUT an expert on such things, but reluctantly goes to England's capital to do what he can.
Come to find out, he can do quite a bit; including getting into lots of trouble. He falls for a beautiful psychologist named Liza Frazer (who might have connections with the killer!), disappears for hours or days on end, drinks like a fish, and goes on television and announces that they've caught the killer (even when he knows they haven't). But Rebus' mind works a bit differently than most folks. He can worm his way into a killer's mind as the case unfolds. And we again see how Rebus' past comes to the forefront and aids him in capturing the villain.
The great thing about Rebus is that he's so f#$%ed up that the reader can identify with all of his vices and character flaws. He's no superhuman, and he knows it. But what he does have is a nose for killers, and this bodes poorly for them. Because once Rebus is on your trail, you'll never get away.
Now, it's on to the next in the series!
Wolfman. February 5, 2005
12 out of 12 found this review helpful
He had wanted to update Robert Louis Stevenson's "Dr. Jekyll and Mr. Hyde" for modern times, Ian Rankin writes about his first Inspector Rebus novel, "Knots and Crosses" in the introduction to the British compilation "Rebus: The Early Years" (unfortunately, not available in the U.S.), which contains the first three installments of the series. Oblivious to the mere existence of such a thing as the mystery genre - or so Rankin says - he was stunned to soon hear his book described first and foremost as a crime novel. But eventually this characterization prompted him to have a closer look at the work of other mystery writers, and he found that the form suited his purposes just fine; that in fact he "could say everything [he] wanted to say about the world, and still give readers a pacy, gripping narrative."
Bearing in mind the original duality of Jekyll and Hyde, however, Rankin's tales are not dominated by a contrast painted in black and white. While the villains Inspector Rebus faces are certainly every bit as evil as Stevenson's Mr. Hyde, Rebus himself is far from a clean-slated "good guy:" Divorced, cynical, hard-drinking and a former member of the SAS, he is a brother in spirit to every noir detective from Dashiell Hammett's Sam Spade and Raymond Chandler's Philip Marlowe to Michael Connelly's Harry Bosch, James Ellroy's squad of crooked cops and Peter Robinson's Alan Banks. Nor is Rebus's Edinburgh the touristy town of Calton Hill, castle and Summer Festival (although the series has meanwhile sparked real-life guided tours to its most famous locations, too) - as befitting a true detective of his ilk, Rankin's antihero moves primarily in the city's dark and dirty underbelly, which is populated by society's losers and where those who have "made it," those with money in their pockets, only show up if they have shady deals to conduct as well.
"Tooth and Nail" (originally titled "Wolfman," for the alias that police have given the subject of their hunt) takes Rebus to London, where - due an earlier case of his own reluctantly deemed an "expert" on serial murderers - he is to assist metro CID with the case of a killer named for the bite marks he leaves on his victims' bodies. Not overly enthusiastic about any aspect of his mission to the capital (and thus mirroring once more the feelings of Rankin himself, who did not much like living there, either, and "brought Rebus to London so he could suffer, too"), Rebus soon alienates his metro counterpart by his constant unwillingness to follow protocol, although the two men get along reasonably well on a personal level. Eventually, Rebus so seriously jeopardizes his and - by extension - Edinburgh CID's reputation with the Met that he is about to be recalled home, when he finally makes the crucial connection that unmasks the killer, just in time to save the young psychologist who has offered her help with the case and who is his latest love interest. (As befits a good noir detective, Rebus has a new flame in every book, not without incurring fresh scars from each separation, however.)
While this series had a terrific start already in its first three novels, published between 1987 and 1992, Rebus's character - and Rankin's writing - has evolved significantly over time. Thus, it is probably wise to read it in the order of publication. Contrary to his nonseries novels, however, which he views much more critically in hindsight, Ian Rankin overall still seems to be happy with his early Rebus books, commenting almost nostalgically: "I can't read them without thinking back to my own early years, my apprenticeship as a crime writer. Read and enjoy." I have nothing to add to that ...
Also recommended:
Rebus: The Early Years (Knots & Crosses / Hide & Seek / Tooth & Nail)
Rebus - The St Leonard's Years
Rebus: The Lost Years (Let It Bleed / Black & Blue / The Hanging Garden)
Rebus: Capital Crimes (Dead Souls / Set in Darkness / The Falls)
Ian Rankin Inspector Rebus CD Collection: Resurrection Men, A Question of Blood, Fleshmarket Alley (Inspector Rebus) (Inspector Rebus)
Exit Music
Rebus's Scotland
Rebus
The Jack Harvey Novels
Rebus: The Complete Short Stories~Ian Rankin
|
