Snow Flower and the Secret Fan: A Novel | 
| Author: Lisa See Publisher: Random House Trade Paperbacks Category: Book
List Price: $14.00 Buy Used: $2.49 You Save: $11.51 (82%)
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Avg. Customer Rating: 580 reviews Sales Rank: 189
Media: Paperback Number Of Items: 1 Pages: 288 Shipping Weight (lbs): 0.5 Dimensions (in): 7.9 x 5.1 x 0.7
ISBN: 0812968069 Dewey Decimal Number: 813.54 EAN: 9780812968064 ASIN: 0812968069
Publication Date: February 21, 2006 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Shipping: International shipping available Condition: * Item in good condition- Typical Used Book and at a great price! * We carefully inspected this * Great customer service * Satisfaction Guaranteed!
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Product Description In nineteenth-century China, in a remote Hunan county, a girl named Lily, at the tender age of seven, is paired with a laotong, “old same,” in an emotional match that will last a lifetime. The laotong, Snow Flower, introduces herself by sending Lily a silk fan on which she’s painted a poem in nu shu, a unique language that Chinese women created in order to communicate in secret, away from the influence of men. As the years pass, Lily and Snow Flower send messages on fans, compose stories on handkerchiefs, reaching out of isolation to share their hopes, dreams, and accomplishments. Together, they endure the agony of foot-binding, and reflect upon their arranged marriages, shared loneliness, and the joys and tragedies of motherhood. The two find solace, developing a bond that keeps their spirits alive. But when a misunderstanding arises, their deep friendship suddenly threatens to tear apart.
Download Description Lisa See is the author of Flower Net (an Edgar Award nominee), The Interior, and Dragon Bones, as well as the critically acclaimed memoir On Gold Mountain. The Organization of Chinese American Women named her the 2001 National Woman of the Year. She lives in Los Angeles.
From the Hardcover edition.
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| Customer Reviews: Read 575 more reviews...
Beautiful story! July 20, 2008 Not to be redundant with all the other positive reviews, but simply put, this was a beautiful story of two women -- raised together as "same sisters" and the tale of their trials, tribulations, joy and happy moments as they go through life in mid 1800s China. The historical information about the culture, customs (especially the details about foot binding), language, etc were wonderfully woven throughout the book. You will think about this book and these two fictional woman long after you have turned the last page. Highly recommend!
An Okay Read July 12, 2008 The first book I read by Lisa See was Peony in Love. I truly loved that book. I bouth this one in hopes that it too would captivate me like Peony in Love did, but no such luck. I was bit bored half way through the book... It wasn't a bad read, but it just wasn't what I was expecting.
would have been more interesting as nonfiction July 10, 2008 1 out of 2 found this review helpful
The back copy will have you believe that Snow Flower and the Secret Fan is an enriching tale of female empowerment, when in fact is is just the opposite. It's the story of female knuckling-under and backbiting, the greed of women who have so little power that they will clutch at everything they can get, even to the point of destroying someone they loved.
The narrator, Lily, is a remarkably undeveloped character; she's really nothing more than a mask that the author/reader puts on for a time to get a look into nineteenth-century China.
Lily's defining characteristic, stated early in the book, is that she "wants to be loved." The author goes to great lengths to demonstrate how Lily tries to find love and then destroys what she loved when she perceives herself rejected. This is supposed to be the theme and plot of the book. However, despite See's constant reiterations of how the bond between the two girls is supposed to be stronger than marriage, I found the narration too flat and unemotional to allow me to care.
The early parts, the accounts of the girls' childhood and everyday lives, are interesting for their cultural insight. The prose tends to be a bit maudlin, however, with frequent references to bad times ahead that felt very manipulative. When the bad times come, they are sudden, random and not really related to the inner conflicts of the characters. Yes, in real life tragedy can strike without warning, but the narrative flatness became almost ridiculous during these scenes--Lily reports on the emotions of everybody else with the detachment of a TV camera. Furthermore, nobody learns or changes anything as a result of the bad times. Everybody pretty much goes on as before.
This made the disasters feel sprinkled-in, as if the author or editor felt the need to inject some excitement into the book. There is a really grueling section in which the army is invading and everyone flees to the hills,. While camping out under the elements, we get treated to murder, child abuse, spousal abuse, sexual deviancy, greed, theft, starvation, filth, betrayal, and bloody miscarriages, but then the army retreats, everyone goes home and pretty much never mentions it again--our narrator doesn't even suffer any lasting effects. It's as if the whole invasion was a device to introduce the women who would come between Lily and Snow Flower.
By the time I reached the end of the book, I felt as if I had just been treated to an outline of the author's notes. She had done her research and she wanted us to see every bit of it. I can understand why she used the devices she did--Lily was looking back on 80 years of her life and it made sense that she would be somewhat emotionally divorced from the worst of it. Furthermore, the cultural "voice" and training not to indulge in self-pity were appropriate and consistent. The problem was it robbed the novel of any personal attachment to the characters. Their problems did not seem important enough to deserve more attention than all of the political and social craziness going on around them. See tries to justify this by mentioning, repeatedly, how a good wife would never seek to involve herself in the outside world, but her need to explain away these shortcomings in her plot made me suspect that she just didn't have the skill to convey anything but the most literal parts of the story. There is no subtext here other than what she spoon-feeds to the reader.
The end result, for me, was a book that seemed very manipulative and catering to a narrow audience of masochistic post-feminist sinophiles. I guess that's who it's intended for: Women who want to wallow in the simultaneous romance and horror of a time when a woman's highest ambition was to be a beautiful, mutilated possession--a time far enough removed from ours that it can seem like a fantasy, something to wring your hands over instead of taking action against. Something like that, anyway. Footbinding happened. It sucked. But for a modern American audience to cry over it seems self-indulgent to me.
I personally would have preferred to see more about the secret language and seen it used to enrich the women's lives. There are allusions to this early on in the book, but they were not picked up and expounded upon. Some positive spin, some notion of triumph under adversity, would have been a nice counterpoint to all the gloom and despair and guilt.
GREAT FOR BOOK GROUP July 8, 2008 THE DEPTH OF THESE TWO WOMEN'S FRIENDSHIP MADE FOR A GREAT DISCUSSION IN OUR BOOK GROUP. I DON'T KNOW IF I WEPT MORE FOR THE DAUGHTERS' FOOT BINDINGS OR THE MOTHERS WHO HAD TO WATCH!
Like A Mandarin Duck My Heart Soared July 3, 2008 In this novel Lisa See gives us a harrowing and compelling insight to the secret inner realm of women's world in China during the early 1800's. See assures us repeatedly that the women of this book do not take on an adventure full of action and daring but is an emotional and heart wrenching story of the silent and understated life that is woven delicately in the ladies upper chamber.
Not since my reading of Kite Runner had I encountered a youthful relationship of such loyalty, depth and affection that it seems to transcend the normal boundaries of life. The two women Lily and Snow Flower are laotong, a special arranged relationship that composes a "deep heart love." Lily, the narrator is writing this story in the twilight years of her life in preparation for her funeral but more importantly to pay homage to this most treasured friendship.
Through her story we see through the eyes of a willful but obedient girl who dedicates herself fully to the ways of her culture. Although we have heard of foot binding, the urgency that women tried for male babies, and the subservience of the women in the house to their husbands, reading about Lily's experience with it brings a much fuller and deeper understand of what these women truly endured. While all of this adds to the flavor and significance to the novel, it is the kinship that develops between Lily and Snow Flower that truly captivates the reader.
It becomes one of those rare books that you can't put down, learn from and recommend to all of your friends. Read it and you won't regret it.
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