| Home: A Memoir of My Early Years |  | Author: Julie Andrews
Publisher: Hyperion
Category: Book
List Price: $15.95
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Avg. Customer Rating:  52 reviews
Sales Rank: 578577
Media: Paperback
Number Of Items: 1
Pages: 352
ISBN: 0786884754
Dewey Decimal Number: 920
EAN: 9780786884759
ASIN: 0786884754
Publication Date: April 7, 2009 (In 213 Days)
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Amazon.com
Syphilis, alcoholism, infidelity, and indeterminate parentage may seem improbable touchstones in the back story of one who didn't so much portray as embody the blithe Maria in The Sound of Music. But as this memoir of her formative years makes clear, there is more gravitas to Andrews than meets the eye. From her childhood in rural England and initial forays into British theater, to her first massive successes on Broadway and in the West End--notably as Eliza Doolittle in My Fair Lady--Home puts her celebrated career in context. While arguably offering more detail about the Andrews family than necessary, it nevertheless dishes wonderful anecdotes about legends and Andrews contemporaries like Noel Coward, Rex Harrison, Robert Goulet, Richard Burton, and Rodgers and Hammerstein, in prose as crisp and immaculate as the author herself. It also offers a revealing look into the intricate, exhaustive craft of performing--skills often taken for granted in tabloid times. Since the book ends just as Andrews is about to launch into the celluloid stratosphere, can Volume II be far behind? After Home, it would be most welcome. --Kim Hughes
Book Description
Since her first appearance on screen in Mary Poppins, Julie Andrews has played a series of memorable roles that have endeared her to generations. But she has never told the story of her life before fame. Until now. In Home: A Memoir of My Early Years, Julie takes her readers on a warm, moving, and often humorous journey from a difficult upbringing in war-torn Britain to the brink of international stardom in America. Her memoir begins in 1935, when Julie was born to an aspiring vaudevillian mother and a teacher father, and takes readers to 1962, when Walt Disney himself saw her on Broadway and cast her as the world's most famous nanny. Along the way, she weathered the London Blitz of World War II; her parents' painful divorce; her mother's turbulent second marriage to Canadian tenor Ted Andrews, and a childhood spent on radio, in music halls, and giving concert performances all over England. Julie's professional career began at the age of twelve, and in 1948 she became the youngest solo performer ever to participate in a Royal Command Performance before the Queen. When only eighteen, she left home for the United States to make her Broadway debut in The Boy Friend, and thus began her meteoric rise to stardom. Home is filled with numerous anecdotes, including stories of performing in My Fair Lady with Rex Harrison on Broadway and in the West End, and in Camelot with Richard Burton on Broadway; her first marriage to famed set and costume designer Tony Walton, culminating with the birth of their daughter, Emma; and the call from Hollywood and what lay beyond. Julie Andrews' career has flourished over seven decades. From her legendary Broadway performances, to her roles in such iconic films as The Sound of Music, Mary Poppins, Thoroughly Modern Millie, Hawaii, 10, and The Princess Diaries, to her award-winning television appearances, multiple album releases, concert tours, international humanitarian work, best-selling children's books, and championship of literacy, Julie's influence spans generations. Today, she lives with her husband of thirty-eight years, the acclaimed writer/director Blake Edwards; they have five children and seven grandchildren. Featuring over fifty personal photos, many never before seen, this is the personal memoir Julie Andrews' audiences have been waiting for.
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| Customer Reviews: Read 47 more reviews...
 Bittersweet memoir filled with grace August 18, 2008
In Home, A Memoir of My Early Years, Julie Andrews reveals a difficult childhood in war torn Britain. Born to a mother with dreams of stardom of her own and a father prone to drink, she weathers the German's Blitz that ravaged London. Her parents eventually divorce and her mother remarries. Julie begins her performing career locally and eventually branches out to radio, music halls and eventually a command performance before the Queen (the youngest solo performer age the age of 12). Continuing to draw audiences Julie eventually accepts an offer to perform on Broadway and leaves for the US at age eighteen.
While her performing career was on the rise, Julie was not as secure at home. Even though she traveled and performed with her mother and step-father, her mother was prone to black moods and struggled with Julia's rising fame. Both her mother and stepfather had drinking problems. There are family secrets that could shake the family apart. Julie becomes the partial caretaker and support of the family at a young age and depended more and more on people outside the home to provide comfort and support for her. When opportunities to move on and go to America, these are the people who assure her that home will be taken care of, it is her time to go. This is a tender memoir that doesn't shy away from difficult memories. What makes this so heartwarming is the care she takes with her story. Clear eyed and honest, she tells an engrossing tale of a difficult childhood and the ability to find humor and good in those times.
Tough Life; Tough Woman August 8, 2008
1 out of 1 found this review helpful
This memoir reads as if it were two different books. The part dealing with her early work in British musical theater (after her emergence from the dying music hall tradition) reads mostly, but not entirely, like a stereotypical "show-biz" memoir, full of good friends, great colleagues and generally lovely people. It is saved from utter cliche by two things: First, Andrews clearly portrays the hard, wearing and sometimes humiliating work that goes into performing at the highest levels (particularly while trying to establish one's self). Second, she portrays some of the nastiness that can go on in this world where your status rises and falls with each performance and your ego and self-esteem with it. Fear of failure is powerful and all-pervading.
Andrews provides a number of startling vignettes that are distinctly not of the "beautiful person" school. There is Rex Harrison trying hard to get the very young (around 21) Andrews fired from My Fair Lady during rehersals while she was struggling to find herself in the role. Harrison did not care one whit who (including Andrews) might overhear him or the obscene and abusive language that he used. There is Richard Burton dealing with the pressure of performance in Camelot by the occasional heavy drinking binge and appearing on stage while totally drunk. Burton, a famous and successful womanizer, also tried to seduce the younger Andrews and did not scruple to try to manipulate her into his bed by undermining her sense of security as an actor in working with him. Nasty stuff and there are other such stories involving lesser known people. It is worth noting that Andrews does not mention receiving any help from other cast members while Harrison was busy trying to destroy her. The great director Moss Hart, however, showed enormous faith and patience and worked one-on-one with her to save her confidence, her role and probably her theater career. She says that she loved him for it, and I do not doubt her.
The other book, though, is about her childhood; and the events that it relates are often bleak and occasionally harrowing. Born in 1935, Andrews clearly remembers the bombs falling on London during the Battle of Britain and the Blitz of 1940-41. Her mother was an accomplished pianist and her Dad (as she always calls him) a working man. Her mother was working as a pianist at a resort when she met another man and left the family to live with him and eventually marry him. The two of them formed an act for the British music halls (vaudeville). Her mother insisted that Andrews come to live with her and her new husband and Dad acquiesced. This was a terrible blow to Andrews because Dad was essentially the only source of love in her life that was reliable, responsible and unconditional.
Nonetheless off Andrews went. She neither liked nor trusted her stepfather whom her mother insisted that Andrews call "Pop." Her new parents were busy working on their music hall career and became successful enough to be "second top" performers, especially after they discovered Andrews's amazing voice and other talents. She became part of the act and traveled with them. Success did not last, however, because Pop had ever growing alcohol problems which eventually affected his work and made him unemployable. Money became scarce, and he reacted in a very typical way: he began first to have flaming arguments and then to beat first his wife and eventually their two younger sons. Andrews, in her room, overheard many of these episodes and felt guilt for not somehow intervening. She is certain that her mother, whom she believes was abused in her own childhood, sometimes deliberately goaded Pop until he exploded into violence.
Pop apparently never beat Andrews but did make sexual advances to her at least twice, once when she was about ten and again when she was about 16. Each time she successfully forestalled him; but after the second occasion her mother's sister had a lock installed on Andrews's bedroom door, a necessary precaution as the drunk and befuddled Pop tried the door just after the lock was installed. He never tried again.
Andrews's primary sources of love and comfort during these times were her Dad, her aunt (she of the bedroom lock) and her voice teacher. Only her aunt had some periods when she was around Andrews more or less constantly. Her Dad could not be, but he seems to have simply suffused her with love when he was able to see her.
Andrews now became the main breadwinner for the family as her mother also slipped into alcoholism. Her mother informed her that if she failed they would lose their house, so there was plenty of pressure on a very young child. Her mother also one day took her to a house party and had her sing for the guests there. The party's host then questioned her closely. On the way home her mother informed Andrews that this man was Andrews's actual biological father. Her Dad, who loved Andrews's mother, had married her while she was pregnant and raised Andrews as his own child. This must have been shocking to Andrews but she does not make much of her reaction, and it certainly did not affect her relationship with her Dad.
We now know how deeply unsettling, indeed devastating, this sort of family background can be to the emotional life of a child and the adult that they grow to be. Some people can be emotionally stunted in various ways for life. Andrews herself is unlikely to be unscathed. The prose style that she employs in discussing these events is telling in this regard. She writes frankly and clearly about them, but she is guarded. Her tone is matter of fact, much as if she were describing what had happened to someone else. It is a tribute to her that she was able apparently to be not merely functional but greatly successful as an actor, a mother and a wife.
 Loved it! August 6, 2008
0 out of 1 found this review helpful
Even though I was born 6 years after the release of Mary Poppins and this book is about Julie Andrew's life up to being hired for Mary Poppins, I enjoyed every single page! I have always been a huge Julie Andrew's fan; however, I had no idea about her life prior to her films. Her grace and humor shines throughout the book. It is also evident how much work went into it as the memories are described so wonderfully. I really hope she will follow up with another book to bring us to date to where she is today!
 Boring August 3, 2008
0 out of 3 found this review helpful
I adore Julie Andrews so this book was a huge disappointment. I was so looking forward to getting lost in her words. By page 5, I was beginning to skimread over her tedious and depressing genealogy. Only halfway through the book does she begin describing her acting career. The book ends as she signs up for Mary Poppins. Where was an editor to suggest that anyone other than a devoted fan would find the minutiae of her family troubles a dull read?
I'm glad this book covers the early years in such evocative detail... July 29, 2008
2 out of 2 found this review helpful
Julie Andrews' new autobiography, "Home," is a must-read for anyone who loves Disney, entertainment, England and great family stories. She is a consummate writer -- yes, she is one of the celebrities who writes her own books -- and evokes the mood, settings, and even the smells of her early life, from a dysfunctional but loving family and the last days of British Vaudeville to Broadway stardom and getting the role of Mary Poppins.
I was not aware that two Disney legends crossed paths twice in their careers. Julie Andrews performed in her first big stage variety show with none other than Disneyland Golden Horseshoe fixture Wally Boag. Boag also figures prominently in Steve Martin's autobiography, in which he fondly recalls Disneyland as his haven from an unhappy home life.
Julie's childhood had tough times, but she remained very close to her family over the years despite the bumps in the road. I'm glad she chose to focus in so much detail on her early career in this book, since many of us know little about the theatrical world she came from. Mary Poppins makes an appropriate stopping point since she suggests that her early experience led to her being uniquely qualified to play the part, which had a lot of music hall-style set pieces. The life she led after the movie made her an international star is really another story for another book.
I listened to the book on CD. Hearing Julie Andrews herself spin her tale in a warm, friendly way is a remarkable experience. Some of my friends chose to read the book first. I also bought the book to share with family and friends, and to have on hand for quick reference.
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