I Ain't Sorry for Nothin' I Done: August Wilson's Process of Playwriting | 
| Author: Joan Herrington Publisher: Limelight Editions Category: Book
List Price: $15.00 Buy New: $9.00 You Save: $6.00 (40%)
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Avg. Customer Rating: 1 reviews Sales Rank: 760790
Media: Paperback Number Of Items: 1 Pages: 180 Shipping Weight (lbs): 0.6 Dimensions (in): 8.3 x 5.9 x 0.6
ISBN: 0879102705 Dewey Decimal Number: 812.54 UPC: 073999324945 EAN: 9780879102708 ASIN: 0879102705
Publication Date: July 1, 2004 Availability: Usually ships in 1-2 business days Shipping: International shipping available Condition: Brand new book! Delivered direct from our US warehouse by Expedited (4-7 days) or Standard (usually 10-14 days but can be longer). Expedited shipping recommended for speedier delivery. Over 1 million satisfied customers
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| Editorial Reviews:
Product Description The most successful African-American playwright of his time, August Wilson is a dominant presence on Broadway and in regional theaters throughout the country. Herrington traces the roots of Wilson's drama back to the visual artists and jazz musicians who inspired award-winning plays like Ma Rainey's Come and Gone, Fences and The Piano Lesson. From careful analysis of evolving playscripts and from interviews with Wilson and theater professionals who have worked closely with him, Herrington offers a portrait of the playwright as thinker and craftsman.
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| Customer Reviews:
A Helpful Guide for the Wilson Novice November 30, 2001 12 out of 12 found this review helpful
This is a useful, informative and well-researched account of Wilson's creative process. While those looking for critical essays or critiques of Wilson's plays will find it a bit thin, that is neither the intent nor focus of the book. It is devoted to the process by which Wilson creates, sythesizes, molds and finishes (or avoids finishing) his works. A valuable guide to Ma Rainey, Fences, Jitney and Joe Turner, as well as Wilson's success on Broadway and beyond. With an update that includes Piano Lesson and Seven Guitars, this text could prove to be an indispensible guide for the dramatic scholar interested in Wilson's work, mentors and influence.
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