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In The Heights | 
| Creators: Lin-manuel Miranda, In The Heights Pit Orchestra, Andrea Burns, Christopher Jackson, Eliseo Roman, Janet Dacal, Juan Carlos Gomez, Karen Olivo, Mandy Gonzalez, Olga Merediz, Priscilla Lopez, Robin De Jesus, Seth Stewart
Label: Ghostlight
Category: Music
List Price: $21.98
Buy New: $12.52
You Save: $9.46 (43%)
New (30) Used (5) Collectible (2) from $12.52
Avg. Customer Rating:  25 reviews
Sales Rank: 114
Format: Cast Recording
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 4.9 x 0.7
MPN: 84428
UPC: 791558442823
EAN: 0791558442823
ASIN: B0016CGNZM
Release Date: June 3, 2008
Availability: Usually ships in 1-2 business days
Condition: All products brand new and factory sealed.
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| Tracks:
Disc 1
| • | In The Heights | | • | Breathe | | • | Benny's Dispatch | | • | It Won't Be Long Now | | • | Inutil | | • | No Me Diga | | • | 96,000 | | • | Pacienca Y Fe (patience and faith) | | • | When You're Home | | • | Piragua | | • | The Club | | • | Blackout |
Disc 2
| • | Sunrise | | • | Hundreds of Stories | | • | Enough | | • | Carnaval Del Barrio | | • | Atencion | | • | Alabanza | | • | Everything I Know | | • | Piragua (Reprise) | | • | Champagne | | • | When The Sun Goes Down | | • | Finale |
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| Editorial Reviews:
Album Description
Get ready to experience an exhilarating journey into one of Manhattan's most vibrant communities, named "BEST MUSICAL OF THE YEAR" by NewYork Magazine and "BEST OF 2007" by The New York Times. With an amazing cast, incredible dancing and a gripping story of hope and self discovery, In The Heights is your ticket into a world where the coffee from the corner bodega is light and sweet, the windows are always open, and the breeze carries the rhythm of three generations of music. Find out what it takes to make a living, what it costs to have a dream, and what it means to be home...In The Heights.
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| Customer Reviews: Read 20 more reviews...
 Best New Musical? July 24, 2008
Admittedly, each new generation "shocks" the preceding one with their taste in music, and I must admit to being shocked and being part of the older set. Yet, that being said, I cannot see how rap music can be elevated to the art form which is the Broadway stage; well, perhaps it can, but why would anyone want to pay $100 a seat when they can just go to any corner in Harlem, Spanish Harlem, or Washington Heights - the Heights in the title - and get a free exhibition performed by the real originators of the musical idiom? I was raised in the South Bronx, and I am Hispanic, so I have no prejudice against Latin music, but when I go to the theatre, I expect to be transported to another dimension, and if it's a musical, I want the music to soar above the mundane. Perhaps, if we considered this musical in the light of "West Side Story", what I am trying to say would be clearer: Leonard Bernstein and Stephen Sondheim were able to take New York's social problems of the 50's and 60's, e.g, gang warfare and prejudice against Puertorricans, set them against an ugly background (New York City's west-side slums), and still create a musical theatre experience that can be justly described as a work of beauty. Lin-Manuel Miranda has also focused on an lower-class neighborhood in New York and it's problems, but can we honestly say that his music transports the audience to another realm? Can any of us come out of "In the Heights" with it's music in our minds? At least, let's give credit to the Tony Award voters who are willing to recognize new forms of talent and music, something they did not do when West Side Story had it's original run on Broadway. (Ironically, it took Hollywood to recognize West Side Story for the classic that it was and is: the film won ten oscars including Best Movie of the year.)
 In the Heights July 21, 2008
AMazing CD! I have yet to see the show but the music is out of this world :)
Fantastic Fun July 17, 2008
This is one of the best musical soundtracks I've listened to. The story unfolds through the songs. I know I'll probably not get the opportunity to see it on stage so it's wonderful to understand the story without having to see it. The joy that this playwriter feels comes through in every song and the performers translate it perfectly. I had my doubts about the rap but the Latin beats underneath make it accessible. Additionally, there is no mumbling, the actors annunciate every word. I hope you like this musical as much as I do!
 AWFUL IN SO MANY WAYS July 16, 2008
0 out of 2 found this review helpful
As a Puerto Rican New Yorker who lived in Washington Heights for 5 years (and whose mother came there from the island decades ago), I was honestly expecting this show to be sweet and cute -- and perhaps even clever. But I was HORRIFIED with what I saw and heard. It was full of stereotypes and puerile attempts at humor. The cloying sentimentality and downright DISHONESTY offended me. I sat there, ashamed. This kind of fare sets us BACK! We need a Latino "Passing Strange"!!! And the dreadful music -- which you'd hear on this album -- is utterly forgettable. Goodness, we have a long way to go before we have a sophisticated, intelligent Latino musical. Even Paul Simon's "Capeman" was closer insofar as he collaborated with the likes of Oscar Hernandez (and at least the book of that musical attempted to explore provocative themes). I can't say enough to condemn this dubious work. Like another reviewer, I would give it fewer stars if I could. Do yourself a favor and check out the brilliant "Passing Strange" instead.
cast of thousands July 14, 2008
This sountrack needs a roadmap. There are some great songs, but WAY too many stories. Don't look for original ways to solve conflict. Most people problems are introduced and resolved before you even have a chance to care about them.
You will want to read the synopsis on this one
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