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August: Osage County

August: Osage County
Author: Tracy Letts
Publisher: Theatre Communications Group
Category: Book

List Price: $13.95
Buy New: $8.19
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New (31) Used (4) from $8.19

Avg. Customer Rating: 4.0 out of 5 stars 18 reviews
Sales Rank: 1569

Media: Paperback
Number Of Items: 1
Pages: 152
Shipping Weight (lbs): 0.5
Dimensions (in): 8.4 x 5.4 x 0.4

ISBN: 1559363304
Dewey Decimal Number: 812.6
EAN: 9781559363303
ASIN: 1559363304

Publication Date: February 1, 2008
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: GREAT BUY!Brand New Factory Sealed!!! From US Distributor! WE ARE A 5 STAR SELLER with OVER 3,500,000 BOOKS SOLD!!! OVER ~ 600,000 FEEDBACKS ~ POSTED!!!

Customer Reviews:
Showing reviews 6-10 of 18
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5 out of 5 stars A new American family drama   June 24, 2008
 0 out of 1 found this review helpful

Letts (who wrote Bugs), provides a mostly normal dysfunctional family drama with August: Osage County. The play revolves around the disappearance of the patriarch, who leaves the pill-popping, emotionally stunted mother, to look toward her three daughters and her sister to help her sort out what has happened.

This would make a wonderful production, though I wouldn't suggest it for high schools as there is explicit language, smoking, and much drug use. Good, balanced cast.



5 out of 5 stars BEST PLAY OF 2008   June 16, 2008
 0 out of 1 found this review helpful

If you saw this most wonderful play and missed a line or two, or want to relive it by reading it, or want to relive it by doing a reading with friends, this is for you. If you missed the play, go see it. Then you will want to order the script, as I did.


4 out of 5 stars American Families Get a Bad Rap Sometimes   May 26, 2008
 1 out of 2 found this review helpful

"August, Osage County" is a lousy, off-putting title for a Broadway play. This is another family saga in which the family members get their kicks out of shredding and tearing each other apart. Once again the great American family firmly rooted in some regional hell devours itself. We've seen this done before, but wasn't it done better by Albee, Tennessee Williams, O'Neill, and Arthur Miller? It's the great pastime for American playwrights who don't have royalty and the gods to kick around as Shakespeare and the Greek dramatists did. Is it the American family that's so horribly dysfunctional or is it the playwrights with a perverse view of the world?
Reading a play is absolutely no substitute for seeing a play. Evaluating a play without seeing a performance is like fishing without bait. You may catch something by sheer accident, but it'll be a huge task without the bait snare. If the play has heightened language as in Miller's "Death of a Salesman" it fares better with a reader.
This play I had to read twice because it particularly needs and deserves a second and perhaps third reading. It's only then that you get to know who the characters really are, what makes them tick, and the humor, nuances and irony come across along with some of the real zingers in the dialogue. It has a number of characters that the reader gradually sorts out. On the page some emerge as stereotypes, others as caricatures on a first reading. A pill-popping mother, her three daughters and their husbands or boyfriends come in for some battering. Perhaps the more you read this play the more respect you'll have for it.
The father says doing his laundry is "getting in the way of his drinking." Talking about the U.S. the father says, "Dissipation is actually much worse than cataclysm."
Most plays reveal secrets as they go along, and this one has its share. It's a play with the venting of acquired family rage, spite, and nastiness. The mean-tempered, foul-mouthed mother Violet and daughter Barbara are champion gutter fighters who fight dirty and low and with venom in great confrontational scenes. Vicarious sado-masochism, anyone?
As the American family is under attack again in this long three-act play, we see the rings of the proverbial onion being peeled away, like layers of human skin as truth-telling time and dredging up of the past take place. The play has a final ironic knockout punch. In this case the more familiarity readers have with the play the more respect they'll probably have for it.

Clawed Back from the Dead
Nine Lives Too Many
The Daemon in Our Dreams
The Rice Queen Spy



3 out of 5 stars Nice Wit and Spark, but Nothing Really New...   May 13, 2008
 2 out of 3 found this review helpful

With its colorful characters and snappy dialogue, "August: Osage County" makes for an unquestionably enjoyable night at the theatre as well as a fun read.

It's a nice piece -- witty and sharp, but as a much-heralded 'masterpiece' it fell short for me. It was ultimately pretty derivative, with a story and characters that are basically a mashup of "Crimes of the Heart" with your basic Tennessee Williams melodrama, and with a dash of the bitter dust of Sam Shepard for flavor.

The play itself moves along at a snappy pace but(especially when viewed onstage) is far too long, and could have been edited both in writing and performance to be much tighter. The three-act format feels indulgent and unnecessary. There are also several extraneous and completely unnecessary characters who directly contribute to the bloat, some of whom are total cliches. (The worst of these, a sleazy pedophile, is so clumsily telegraphed that he basically announces his motives within his first four lines of dialogue -- the audience actually groaned aloud when I saw it.)

For me, for something theatrical to be a masterpiece, I want to feel like I'm reading or seeing something new -- a story or characters I have not seen before. And unfortunately there just wasn't anything that original about AOC -- we've all seen the dysfunctional screwball family drama a zillion times and this just didn't bring all that much new to the table for me. When I saw "Wit," for instance, I encountered a truly unique character. I heard language I had never heard before, thoughts I had never imagined. Same with "Angels in America" and heck, even "Prelude to a Kiss."

But AOC? It's an enjoyable piece of theatre. On the up side, there are some wonderful monologues, some sharp observational humor and dialogue, and a lovely, truly haunting ending.

But, while a perfectly good effort, I was surprised that it won the Pulitzer Prize -- I just didn't see anything that brought it to that level for me. It's a good play. But I don't think it's a play for the ages and suspect it will probably not be performed all that frequently decades from now. Time will tell.



4 out of 5 stars Another view   April 27, 2008
 1 out of 3 found this review helpful

If some fans of this play want an interesting opposite view of Osage County take a look at Pawhuska Kid's Stuff by Stevie Payne. This is the Osage County I remember growing up there.

Cheers...................... ;-)Pawhuska Kids' Stuff: Memories of Pawhuska and Friends


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