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| Author: Michael Kantor And Laurence Maslon
Publisher: Bulfinch
Category: Book
List Price: $60.00
Buy New: $30.91
You Save: $29.09 (48%)
New (4) Used (8) from $27.01
Avg. Customer Rating:  7 reviews
Sales Rank: 759883
Format: Bargain Price
Media: Hardcover
Number Of Items: 1
Pages: 480
Shipping Weight (lbs): 6.3
Dimensions (in): 11.3 x 9.6 x 1.6
Dewey Decimal Number: 782.14097471
ASIN: B000O75I2Y
Publication Date: October 13, 2004
Availability: Usually ships in 1-2 business days
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| Customer Reviews:
| Showing reviews 6-7 of 7 | | « PREV | | |
Companion volume to the six-part PBS series January 4, 2005
14 out of 14 found this review helpful
Plenty of books have been written on Broadway history and productions before: so what makes Michael Kantor and Laurence Maslon's Broadway: The American Musical stand out? Perhaps it's the in- depth color illustration packed into every page of this coverage of Broadway's musical heritage and history, or it's in-depth analysis of Broadway's influence as a cultural force through the decades. Or maybe it's the inclusion of not only Broadway show photos but posters, music covers, production stills and rehearsal shots. Or maybe it's in-depth narratives and handy sidebars highlighting the major stars. All these factors earn Broadway: The American Musical an important role as the companion volume to the six-part PBS series of the same name. All of this sets the volume high above competitors.
Give My Regards to Broadway! December 25, 2004
50 out of 51 found this review helpful
I was in Barnes and Noble and had watched Broadway the American Musical the week before, I saw this on the shelf and started leafing through it. Before long I had to take the thing home.
I took it to the counter and the lady asked if it was a gift for somebody I knew, and I said "Heavens No!, this is for me!" She asked if I was going to go see The Phantom of the Opera (the movie) when it came to theaters, and I said "Are you kidding me?! of course" and because she was a Broadway buff too, we had a wonderful little conversation about our enduring love for musicals, it was "Loverly" to say the least.
Now about this stunning book.
Each chapter contains all of the following-
1. A Spotlight on a musical that revolutionized theater in some way, or defined the times in which it was created. The surounding shows are described, and their beloved artist as well.
2. Handfulls of biographies on the directors, producers, writers, composers, performers, and stars, that were most influential in their time on the Broadway stage.
3. Excerpts from some of the most popular songs or influential show scripts are included.
4. Pages of archives filled with commentary by artists on other artists, on choreographers, directors, producers, writers, and so on.
5. To top it all off! Each chapter is filled to the brim with pictures from the shows, and artist, that shaped Broadway, and revolutionized musical theater until the year of Wicked and Avenue Q.
There is a beautiful page called EXIT MUSIC which closes the book, leaving any Broadway fan in tears, I myself was no exception.
I did notice that, for the most part, the musicals that got more attention were not the ones that made lots of money, they were the shows that were more influential in changing the content of musical theater, as a result of this Stephen Sondheim gets more attention than say, Andrew Lloyd Webber, who caters more to popular music.
The latter parts of the book do talk a lot about Cameron Mackintosh's influence of helping to move Broadway into the modern world of business.
The Gay influence is talked about some, in the small section on La Cage Aux Folles, although it is not capitalized on.
There is one thing that really thrills me about this book. We know from experience, with few exceptions, that movie musicals slaughter their Broadway roots.
Some examples of film musicals of which Broadway fans disagree with their film adaptions are.
Damn Yankees, On the Town, My Fair Lady, Fiddler on the Roof, Gypsy, Camelot, Cabaret, A Chorus Line, Mame, A Funny Thing Happened on the Way to the Forum, The Sound of Music, Annie, Evita, Chicago, and yes, The Phantom of the Opera.
Despite the dazzle of movie sets, filming, costumes, and even dances, these films have either featured stars who were not suitable to their roles, (this is embarrassingly true in certain cases, might I mention Camelot), or did not feature the complete score(A Funny Thing...), or the score was cut to pieces to feature other less worthy songs (Damn Yankees). Either way, in all the movie musicals above, changes were made, either songs were cut, or original stars were removed, but in this book we are back to the original versions of each musical, where the scores are complete, where Julie Andrews plays Eliza (My Fair Lady) and Guenevere (Camelot), where Michael Crawford is the Phantom of the Opera, among other legendary performers that films cannot push into the shadows. I think it is fabulous that there is a record of these great stage performances, accompanied by color rich photographs and commentary, justice has been served.
In the back of the book is a map of Broadway in 1928, and a map of the current Broadway next to it.
The other great thing in the back of the book is that there are lists of musicals season by season, the ones that won Tony for best musical are highlighted in red, to show what has been going on in Broadway.
There is a memorial page for Al Hirschfeld, who passed away a year or so ago.
Four pages are dedicated to the 9/11 victims; two of these pages are a double page spread of 42nd street with some of Broadway's greatest stars and complete casts showing their affection for the "Great White Way" after the 9/11 tragedy.
There is a section on The Producers, Miss Saigon, Wicked, Rent, The Lion King, Les Mise'rables, Aida, not to mention the beginning years of this entertainment capital.
Everything I can possibly think of is in here.
If there is any Broadway book to own,
look no further,
THIS IS IT.
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